Excerpt from DARK STARS, WISE HEARTS (C) book ( 2017-2018)
A VIEW FROM A CATTLE WAGON
(C) Inna Rogatchi ~ Excerpt from DARK STARS, WISE HEARTS BOOK
The wagon was set aside. To enter into that was optional. I found myself inside before realising what I was doing.
I have seen similar cattle wagons before, in different places, both inside museum walls and outside, in natural environment, in Auschwitz, at Yad Vashem, in Washington, you name it. I filmed them practically in every place I saw them: in Poland, in Israel, in Ukraine, in the United States. I filmed and photographed them because they were as if speaking to me. Or somebody from there, from inside, did.
I could touch the wagons but I never dared. I thought that I have no right to do it. I saw the elderly survivor from Italy crying uncontrollably, with his head laying on the cattle wagon’s wooden plank in Auschwitz, his wife trying to console him unsuccessfully, and I knew that I was right in distancing myself from a physical contact with those wagons. I had no right to touch it. I was not there at the time.
Inna Rogatchi (C). The Route. One Day in October series. Fine Art Photography.
But I felt the energy of that horror. I felt it physically, and it did not start from the wagons. The first time I did, it was in Mauthausen when I was filming for The Lessons of Survival, my film on and with Simon Wiesenthal, a dear friend. In Mauthausen, the light-blue doors with such nice roses painted on them circling DUSCHE sign in that cosy pastoral style made me rave. But I had no time for emotions, I was working. I had to concentrate.
Then we stepped into the crematorium building and were working there. Then we proceed into the ‘medical’ rooms. Then to torture chambers.
My experienced Finnish camera-man who spent twenty years filming wars in Africa, did confess to me in the evening when we both were drinking quietly after a long day: “Have you noticed that I lost conscience a couple of times when filming in the chambers? Sorry if the stuff would not be stable at some moments”, – he sighed. I did not cry there in the chambers. I did not cry after that work at all for three years.
But I felt the horror in all those empty today places of the camp which were so overcrowded fifty years before I stepped in there. I felt like the very air inside the chambers and the places leading to it had been very thick with nothing but a sheer horror. The Mauthausen walls preserved it intact.
I felt the energy of murdered people, my Jewish brethren, in many places plagued with Shoah: inside the barracks of Birkenau, next to the ditches of Paneriai, at the numerous ravines in Ukraine. I felt it in all those ghettos where I was walking through once and again, in Crakow, Warsaw, Vilna. I felt it on the Danube embankment at the place of the mass assassination and drowning of the helpless people just on the spot. I still feel it ever since, regarding all those places .
The first time that I was told about the Nazi camps and the people’s indescribable suffering there, as well as unimaginable heroism occurred in response, I was six. My mother has told me the story of doctor Korczak and the children from his Jewish orphanage, the kids whom he did not leave although he was able to do it, but instead was comforting them all the way to Treblinka, perishing together. For my mother who was a teacher and a student of prolific linguist, professor David Alba whose entire family including his wife and children died in the Warsaw Ghetto, there was no higher example of human devotion and exploit than the one undertaken by Janusz Korczak. And timing-wise, the stories from the camps were quite close to us. My mom has become a student and heard the Korczak story from her professor just eight years after the end of the war. How grateful I am to her for being wise in her heart to tell about it to me when I was a little child and doing it until the end of her life.
For the first time I heard and saw the real person who had an occasional, but repeating distinct sensation of being back to a ghetto street and running with some older woman from a round-up, from my third cousin. She was twenty year me senior, and like my mother, she was the child of the war. Fanja was the only child of two military doctors and spent all years of the war together with her parents in numerous military trains and hospitals, being bombed there not for once. She became a doctor, naturally. Fanja was dry, savvy and highly intelligent, very much no-nonsense person. She did not share her sensations with anyone before starting to talk with me about it, she said. She was shocked and described her visions as full of senses – the smells, the lights, the colours, the visions of certain streets, corners and basements. Fanja told me about that sweeping, colossal, paralysing fear that had been overcoming her at the times of those moments. I have told her that my only understanding of it is that some sparks of the souls who were murdered during Holocaust, the tattooed souls as I call them, has entered the Fanja’s own soul, to live inside there. I have no any other explanation to her baffled questions.
Later on, travelling the world from one its corner to another, I have to meet more and more people like Fanja who, in my understanding, are also hosting some sparks from the souls of the Country of Six Million. It is explicable, as all those souls were not leaving the bodies which they had inhabited, due to natural causes, nor more or less in the way it is happening in life usually. They were thorn away, abruptly and gruesomely, by those who loved or obeyed the evil. They had to live somehow and somewhere, those thorn away souls. Each of them had its own destined time to be in someone’s body.
I also met and still am meeting so many people who each has the Holocaust story to tell, the survivors, their children and grandchildren. And every single of those stories I have heard is ought to be written and remembered. Each of them is unique, extraordinary and magnetic. Because each of them is about human spirit. Each of them is breathing life, even in death.
Inna Rogatchi (C). My Great-Aunt’s Glasses. Ukraine. One Day in October series. Fine Art Photography collage.
So I found myself in that cattle wagon in Chicago. It was as dark inside, as one can imagine the darkness in one child’s fears. But it was more than dark. The blackness inside the wagon was the entire world. It was the air, the home, the dream, the day and the night. It was the only thing existing. And I was yet sparred from non-stops screams around me in the overcrowded wagon, from smells, from suffocation. I was sparred from a total sweeping despair, my own, atop of everyone’s around me. But staying in that cattle wagon of the Deutsche Bahn with the time rapidly running back, so I could hear its beat more loudly than my own heart’s jumping, I remembered very vividly the words of the Viktor Frankl’s account of him and people around him taken in the similar wagon on their way to Auschwitz, and how much did he struggled to get a chance to have a momentarily glance from that small window with nasty metal bars over it, towards his city disappearing in the view with no time at all…
When I stepped out the wagon, I felt that my understanding of how my fellow Jewish people and all the other victims of the Nazi feast of evil were feeling at the time of that massive attack against humanity, was almost completed. I knew no time distance from the events in mid-1940 any longer. It all was happening now.
But hearing on some reactions, both in Russia and outside, I decided to express myself on the subject once again. It seems that the theme of the Holocaust travesty is getting more and more actual, alarmingly.
Here you are shocked to watch a masquerade on the theme Shoah. And you are fighting your body to sustain the observation of all kinds of skating movements – legs spread, bottom up, mighty whirling, acrobatics, jumps, glued smiles, all those movements, in brand new camp prisoners’ robes, sort of, with a nice Russian braid – what braid? if you are trying so hard to make up your mug that deep grey, to show a suffering, you had to performed shaved, baby. And of course, yellow stars, there and there, so nicely sewn in, so visible.
Skating, they were improvising in their own means after widely accepted Life Is Beautiful movie – some of their defenders are emphasising. “Why people can like the movie, but cannot like the dance?” – I’ve read some comment.
Firstly, not everyone liked the movie. Far from that. The heavily Hollywood-ised Italian film, Life Is Beautiful is the one of the least Italian movies, as many Italians would tell you, and is a very serious flop in many ways , as many other people would add to that. That film, Oscar-awarded or not, is just profoundly tasteless, and false in many ways. Among my very many friends and acquaintances all over the world, there is only one person who actually liked that silly effort to tell about the Holocaust in the way Life Is Beautiful approached it; and the man had had a very strange sense a humour, to put it mildly.
And of course, you do speak and show the Holocaust in arts and literature. But you are doing it with taste and decency. You also do choose the genres. What next now?- people are asking being shocked by the Russian skating dance exercise. – Shoah musical?.. That exactly is the point.
If there is a need to explain that you are not dancing on bones, there is something very wrong with the people’s bringing up and education. Judging by the reaction both in Russia and outside it which is mostly healthy and outraged, the case is not crossed the point of no return. The most of the reaction was furious and justly so.
“Why didn’t you rehearse for couple of month by starving yourself?” – people bombed the tasteless, tactless and brainless dancers with fierce critic. – “And what’s grande finale? A gas chamber?” – are the reactions.
But there are also those who is trying to defend the well-known Russian ice-dancers in their outrageous games. Nobody else, but the chairman of the Russian Holocaust Foundation Alla Gerber said that in her opinion, what is unacceptable it is a smirk and joking about the Holocaust. “As far, as those things not present, it should be OK”, – she concluded publicly. I wonder how the statement might change unless the dancer would not be the wife of the Russian President’s spokesman; if the dancer would be a mortal from the point of view of Ms Gerber. One is not supporting the legacy of the Shoah victims being so pathetically servile towards the authorities, in any country, for this matter.
Another defenders tried hard to find the excuse in being ecstatic over the fact that ‘after decades of neglect, the Russian official TV has decided to single out the Jewish suffering during the Holocaust’. Please. After decades of neglect, the Jewish life in Russia is thriving, and there is no need whatsoever to thank their state TV channel of being so utterly nice as to remember Jews and the Shoah, –this is done in such appalling , unbearable way.
This is exactly the direct outcome of the decades of neglect that the Russian dancers are allowed themselves to perform Shoah, in the first place. They just had no clue what could be possibly wrong with their performance – and this is alarming sign of ignorance and insensitivity. In a brutal country ignorance and insensitivity could turn into grotesque easier and quicker – and it is exactly what we just saw during that terrible eight-minute exercise.
Let be fair – the critique of the awful episode from the Russian public is mighty. It means that the public there, as usually is the case, is healthier and better than some of its elements. The problem here, as I can see it, is not only with the brainless and outrageous dancers, but also with all those people on the Russia’s state TV channel who has decided that it is ‘cool’ to air and broadcast this sick giggling around the Holocaust, and to award it with the highest possible rates – oh, yes, it was a contest. Shame on them all. Many people for whom this escapade brought a real suffering, as to myself and many of my friends, are thinking on suing the Russian First TV Channel now, on the ground on insult and moral damages. That would be very appropriate thing to do.
It is also understood that there has been launched the official protests to the Russian Embassies in several countries from a number of organisations who are protesting the show and the disgrace towards the Holocaust victims and members of their families.
Inna Rogatchi (C). This Kind of Forest. Lithuania. 2014. Holocaust series.
What worries me it is the tendency. The tendency of ‘afresh’ look onto the Shoah, the adopted permissibility to play , to experiment with the memory of the most terrible crime and horror committed against humanity. Within the period of two years by now, this is the fourth instance when I and my colleagues had to mobilise the world to guard this memory, and to guard also our own dignity.
Those jokes and games, those dances and jumps, that falsehood and perversion are continuing the Nazi business as they dreamt it would be continued in the case they would win. They’ve lost, but they were not punished enough. They’ve lost, but in some important countries – such as Soviet Union – there had been decades before the truth about the Shoah has transpired. They’ve lost, but in other important countries – as Poland, and the others, as Estonia – today it is possible to joke and to play and to experiment on the Holocaust and its victims.
The Life was not Beautiful during the Darkness of the Holocaust. The concept is pervert, and the price paid during the Holocaust is not allow those funny paradoxes. It is really that simple and straightforward. And one has to have enough modesty to handle the theme when one wants to come public on that. Every smile during that time was coming from and disappearing into the pain, fear, chill, bullet, and gas. Life was completely and totally de-humanised during those years. Enough of those sick jokes already.
Simon Wiesenthal has told to me in the mid-1990s: “By mid-1960s, I have realised that Germans lost the war, but we have lost post-war period”. Rabbi Yisrael Meir Lau back in 2014 has told to me and my husband: “Sometimes, I really think that we learned nothing from the Holocaust. Nothing”. Those were chilling statements by the legendary people who know what they were and are talking about very well indeed, and who both have had the most painful knowledge of the Holocaust first-hand, becoming both completely orphaned and living with their indescribable trauma the most decent and meaningful lives, as did many survivors of the Hell on Earth brought to the world by the Nazis and all those who did not stop and who were happy to help them.
I still am thinking about those lines by Simon Wiesenthal and Rabbi Yisrael Meir Lau ever since I’ve heard it from them. With jokes and idiotic dances about the Holocaust, I do see the point of my dear friends and teachers chillingly clear. And I will fight this and any other sacrilege of the Shoah at any centimetre of its way. I am doing it in memory of my own family members murdered in the Shoah, and every single one from the six millions.
Dr Inna Rogatchi
November 2016
Dr Inna Rogatchi is writer, scholar and film-maker. She is the President of The Rogatchi Foundation. Inna Rogatchi is the author of the internationally acclaimed The Lessons of Survival film on Simon Wiesenthal. Her forthcoming book is on the Legacy of the Post-Holocaust.
TRIBUTE TO LEONARD COHEN BY INNA AND MICHAEL ROGATCHI
LEONARD COHEN: THE LIGHT of THE LIGHT
TRIBUTE TO LEONARD COHEN
by Inna and Michael Rogatchi (C).
There is the concept in Judaism that defines the essence of light. What makes light bright, attractive, hopeful, enduring – asks the concept? The light of the light – our sages has answered.
Leonard Cohen, our dearest Man for All Seasons, was exactly that – the light of the light. And he will be so in our memory for all the days of our lives.
Inna Rogatchi (C). An Evening Light. In Memory of Leonard Cohen. 2016.
For a mortal human being, the most difficult thing is to comprehend our own passing, our own non-being. We are born with the instinct of survival and it clashes with unimaginable sweeping horror on a thought of me-no-more. The more intellectually capable we are, the worse is this ultimate struggle. We are absolutely helpless being confronted by the thought or reality of the time of passing.
For the rescue here comes our individual spiritual capacity. Not just knowledge or even belief, but our own ability to comprehend, to accept, to become content with the state of mind and spirit which are settled on this essential matter according to our personal faith.
To be ready for leaving This World and for the crossing into the World to Come needs an exceptional wisdom and moral strength. It is a gift given to the deserving individual by the Creator. Leonard certainly was the one of those individuals, honest and loving Jewish son of his people and his G-d.
We know Leonard’s life and career in all its detail, from his first landing on the sun-crazy Hydra soil through his last public appearance just three weeks ago; his tours, his concerts, his travels and his escapes. From all this very rich legacy, the one thing stands along as powerful, as only true revelation can be. It is Leonard’s visit to Israel in 1973 at the time of the Yom Kippur War and his appearance on the stage in the super-packed hall in Tel-Aviv.
We know that the soldiers of the IDF were given special short leaves from the duties, as a reward, to visit the Cohen’s concerts. We know that whenever he visited at the time, whichever IDF unit or base it was, he wanted and asked to be drafted – to the marines, to the air forces, to any army unit.
And then in Tel-Aviv, he is about to go to the stage, and he cannot. He is overwhelmed. He is overwhelmed with his love for Israel and his people. This is the one of the most powerful episode of the naked human emotions documented, and we have this treasure thanks to the famed “Bird on a Wire” Tony Palmer’s documentary on Leonard. And then he controls himself, barely so, but still, he is coming to the stage where his brothers and sisters, his kin, are waiting for him patiently and lovingly. And he sings and talks and blesses them all and the land of Israel with his Kohen blessing, and you are seeing in the front of your eyes a live embodiment of a Son’s Love to his people which you do not usually see; and you know not only what the Jewish bond to our people and our land means, but how it looks, too. Plus the talent. And the sincerity. And the artistic and intellectual honesty – a very hard currency at any time. And plus that disarming smile, that chic grace, that generosity of a superb human being and a very rare man. Our Man for All Seasons, and for generations to come.
We were enormously privileged to know him, to let him know on our work and to hear back from him. Leonard did like and appreciated Michael’s Biblical series, especially his The Patriarchs and the Matriarchs one, and he has also reacted to the Michael’s Jewish Melody series warmly calling his art, and our both art, ‘very fine, deep and engaging”.
A few years ago, Leonard was joking when saying that he is ‘at the age when he is giving away the things that he has, but this does not regard your, Michael, so very fine Zion Waltz art work which I am delighted to have”.
In his 2014 Popular Problems Album, the Samson from New Orleans song was written after he saw Michael’s Samson. The Last Song painting, and Michael is regarded this correlation as a great award.
Michael Rogatchi (C). Zion Waltz. Jewish Melody series. 2013.
When Inna created her Horizon Beyond Horizon series of allusive portraits of the great writers, composers and artistic personalities of Jewish origin, all important for her personally, she took the Leonard’s verse as a prologue for her short art film on the collection:
“Now I sail from sky to sky
And all the blackness sings
Against the boat that I have made Of mutilated wings”.
Inna’ work Heart Matter dedicated to Leonard, portraying a lonely but very warm and intense in colour and message leaf on a snow, quickly found its way to the most popular global Leonard Cohen Forum of his devoted fans world-wide, and has become the one of the most appreciated work of that series.
On Leonard’s 80th birthday back in 2014, the dear friends, founders and runners of the best in the world internet resource on Cohen, The Leonard Cohen Files, Jarkko and Eija Arjatsalo, who were the closest friends with Leonard from mid-1980s onward, and who lead incredibly important work on his legacy all these years, were thinking on what could the world fans of Leonard present to him on his 80s anniversary. The idea was fresh and everybody liked it. It was a bench at the Hydra’s square facing the sea, to be built at the spot which Leonard loved. The money for the project was collected in no time, just a day or two. The architect had been hired to create the image and blue-print of the Leonard bench. The blue-print was ready in time to be sent to Leonard for his birthday, along with the address listing all the names of the people who did contribute to the project. The blue-print and address were accompanied by the DVD of the Inna’s The Lessons of Survival film on her conversations with Simon Wiesenthal. “ I know that this is very important for Leonard”, – our common friend Jarkko said. In responding to that birthday package, Leonard wrote to us: “I have read every single name on that address”. He loved the idea of such bench-present on his 80th birthday. And he watched the film on the subject which had been always essentially important for him. He did thank us for the film with his grace, depth and friendship that always melted our hearts completely.
Michael Rogatchi (C). Samson. The Last Smile. Oil on canvas. 1998. Forefathers series.
In Michael’s study, there is Leonard’s Kohen Blessing to us which he has sent us to the one of the Rosh HaShanah, hand-written and drawn by him, the one of the most important treasures in our house. We also will be always cherishing the book of his poetry which Leonard has decided to send to us, with dizzy dedication: “For Inna and Michael, Thank you for Understanding”. Every time looking at it, we still cannot believe our eyes. We have Leonard smiling on us from his signed photographs he has sent us, as well. And being looking very much as Inna’s father, it gives us a feeling of genuine family connection, and also assurance in does-not-matter- what will be happening, there is always that special smile of that superb mind and that precious heart of a very rare man and exemplary Jew.
In a special and unique way, Leonard Cohen was the Ambassador-at-large of Jewish people to the world. He was beloved and followed by millions, the vast majority of whose is not Jewish. He did not push his belief or convictions ever, but he never hide it either, and so much of the essence of Judaism, the Torah, the Psalms, the important moments of Jewish history and Jewish psycho are presented in his poetry and music, in organic and noble way. We do not know any other modern poet and musician who had brought out to the world, to the vast global audience such steady Jewish message in such elegant and appealing way for the millions. From this perspective, Leonard Cohen during his over 50 years career, did help to enroot the best of the Jewish soul into the world around him, and to make all those millions of his fans to get the message, to think, to reflect, to accept, to like, to become interested, and , what had been most important for Leonard – to understand. This is invaluable service for his people, and we will always remember it.
Inna Rogatchi. Heart Talk. Homage to Leonard Cohen. 2014.Horizon Beyond Horizon series.
Another thing which has been unique in Leonard is his love for people in general. It is incredibly rare to find a star of the international fame who had been so human, so warm, so friendly, and so respectful to people both in his near proximity and towards his giant audience. We have not heard any other super-star who would always, just always, address to his audience anywhere on the planet as to ‘Friends’, exclusively so. And he meant it. People did feel it and paid Leonard back with sincere love. The love which he did generate himself. It is a very rare ability of a man, to generate such amount of love – and to keep all his humour, and that classy under-tone, and that effortless style at the same time. He was a phenomenal guy, our dearest Leonard. The hardest word here is ‘was’.
Coming back to the ultimate struggle of mortal us with the prospect of our departure, to be truly ready for that is a unique accomplishment, the most important achievement which one can hope to get in his life. Leonard was blessed to have it, due to his merits and his service to all of us, to millions who loved him for a half of a century of his career.
But to make this readiness public, to have that incredible moral strength to share it with anyone – as he did in his last album You Want It Darker and the title song of the album, his public good-bye to the millions who loves him, that is the courage of a very special kind ( the essay You Want it Darker – We’ve Got it Shining can be read here ).
We just cannot imagine what does it take from rather reflective and introvert person as Leonard was, to make the innermost of his fears and doubt, his pleas and quests, his thoughts and cries public, to share the core of the process of departing with the rest of us. Why it is important? –one may ask. Is it not the most private business of all? – the other can put a question.
It matters enormously because it helps to the others. Because we learned from a big man how to cope on that most intimate and endlessly sad road. What Leonard did just very shortly before his passing away, was his last act of mercy towards his huge world audience; his affectionate and brave goodbye to us all. He always knew precisely what he is doing, and what for. In a paradoxical, markedly Leonard’s way, Leonard, knowing on his own soon departure was given us the rope, the life-line, the knowledge on how to cope with the Ending.
And then – he came back to us, a day after the release of his last album, on a special occasion which happened to be his last public appearance, with his gracious elegance and that unique smile. This time, this only time, it was Leonard who was without his fedora hat, and it was his son Adam who was with fedora. The sign was there, and it was put on beautifully.
We will always remember his smile at that last public meeting on October 23d at the Canadian Consulate in Los-Angeles where he was so generous to his public, in the wider context too, to all of us, with his jokes and his promises ‘to live forever’, to calm us all down. This smile stays in front of our eyes since we saw our dearest Leonard, as it happened, the last time.
The Nobel Prize, you’ve said? Why not Leonard Cohen? – were so many voices. Nobel Prize what? – we are saying. What prize can be awarded to the man who is marked with the attention of the Creator? What human prize could be given to the true Kohen? He spoke with Creator, and he heard the Answers. We saw it in his trade-marked heart-shaped Magen David blessings, too.
Leonard who never behaved princely in a daily life was above very many of us in many respects. Even in his organic modesty, he was superb and brilliant. As a man and an artist, he was a huge gift to us all. A gift from Creator.
We all are orphaned, and this loss is beyond repair. But the man, the poet, the bard, the Kohen who was the light of the light himself, is inseparable from millions who are mourning the fact that his way in this world has ended. As inseparable, as the light of the light is inseparable from the light.
So long, Leonard, so long.
Judaism explains that a person is departed from This World at the time when the soul which is inside his body has completed its mission on the earth. Being well educated in the Jewish theology, Leonard certainly was aware of the process – and he was blessed with the Creator’s sign of the knowledge of the time of his own departure. This is happening only towards the best, the most remarkable of the Jewish people.
But for us who are left orphaned with him no more, it is very tough. That man was creating so much new, special and unique: his humour, those phrases, always unexpected, that blink of his eyes, that impromptu reactions, that living fountain of human expressions, engaging, attractive, loving, funny, absolutely irresistible ones. Leonard was the Master of Longing. We are longing for him since the hour we have learned on his passing away. We are longing for him every day without him more and more. We are longing for that vivid, wise and easy presence of warm, special, and unique man among us.
Leonard and Adam Cohens at the Leonard’s lat public appearance.
As Leonard has put it in the one of his poems,
“This is not silence
this is another poem”
This is how we feel the void he left behind him.
The news of the Leonard’s passing has come to the world on the Shabbat eve, erev Shabbat. On Shabbat, we shall not cry. We will try, by remembering your smile, dearest, great, beloved Friend.
They both are talented and successful. They are relating each to the other tenderly and gently. They both succeeded in the accomplishment of their talent in various ways.
They are supporting those who are in trouble and need. They are generous in their support of orphans and talented youth by helping them to make their most daring dreams true.
It is symbolic that at the special time of the Jewish New Year, this couple has celebrated their important personal mile-stone, as well, the 40th anniversary of their marriage.
We can uncover the names of these fabulous people. It is Michael and Inna Rogatchi.
They are well-known in many countries world-wide. Their contribution into modern culture is very notable.
At the very moment, at the time of their family celebration, Michael and Inna are successfully carrying on their interesting new projects.
Warmth of the Talent
Inna has recently presented her Power of Light fine art photography series on the Judaic Symbolism. These works are as if a deep breath of a fresh air, especially for those who are discovering for themselves a bottomless world of the Jewish culture. Inna also has created a short art-film featuring some of her works from the Power of Light series. The musical art video had been released to mark the High Holidays in October 2016, and it had been highly praised. The Israel National News has called the Inna Rogatchi’s new work ‘both moving and haunting, a perfect gift by the artist on Rosh HaShanah ( Jewish New Year). The video can be watched here .
I was lucky to see the video yet before its international release, thanks to Creator for my personal acquaintance with this talented couple.
Originally, the Power of Light series has been created a few years ago, in conjunction with the unique event, the opening of the Vilnius Public Jewish Library in the end of 2011. This kind of event had happened in Lithuania for the first time since the end of the Second World War. Since the opening, the first set of the fifteen works from the series adores the walls of the Library that has become a very popular and widely recognised centre of the Jewish culture and history in Vilnius. Along with the Inna’s art photography works there is also well-known Yiddishe Sun ( Yiddish Son) painting of Michael’s, the only oil painting which has been on the Library’s walls following the decision of their board.
Michael Rogatchi (C). Yiddishe Sun ( Yiddish Son). Oil on canvas. 2011. Vilnius Public Jewish Library. Lithuania
Four years after the Library’s opening, Inna and Michael did present the art replica of this very work to the newlywed couple in Israel. But it was not a regular wedding. Sarah-Tehiya Litman and Ariel Beigel’s marriage shook Israel to the bone. The bride’s father, Rabbi Litman, and her young brother were murdered by the Palestinian terrorists just on the eve of her wedding in November 2015.
Inna and Michael took the pain of the family close to their hearts and has organised their special gift to reach the family on the morning of the wedding which has celebrated all Israel, against all odds. A year later, just these days, in October 2016, Sarah Beigel gave a birth to their first daughter. The life is prevailing.
“ In sending this gift to the new Israeli couple under such dramatic circumstances, we wanted also to send them the message of our Jewish hope and love, ongoing and never extinguishing light of living and remembering” ,– Inna and Michael are saying.
Indeed, it is quite clear that both Michael and Inna Rogatchis’ art is not just an art pieces. Their creations do posses tangible spiritual power.
This is what Inna has shared with us regarding their experiences: “ During the one of our previously regular visits to Ukraine where we were supporting the Jewish orphans during many years, Michael visited the house for boys where they are living. He brought with him many things, including my photography works, each framed, to be a present to each of them. We wanted to bring to those boys not only shoes, clothes and books, and sweets and cakes, but also something personal for each of them.
Michael proposed to the boys that each of them would choose the photograph that he would like the most and pick it up from the big table where all those many photographs were displayed. Naturally, he started from the smallest ones.
There was one boy, shy and reflective. When he was invited to the table, among the first ones, he stayed there for a long time. All that time, his eyes were glued to one particular photograph. That photograph pictured many rounded challah just baked for Rosh HaShanah ( and they were backed by us). The work’s title was The Warmth of Jewish Home.
The boy did take the photograph into his hands as a treasure. He hugged the photograph – as many children orphans in their houses did, too – and he smiled so happily. We will never forget that orphan boy, with his smile, hugging the photograph that was bearing the warmth of Jewish home”, – says Inna.
New Horizons
Inna and Michael are moving forward reaching new horizons and new dimensions of their joint life – and creativity. In November 2016, their first joint exhibition will be organised in Rome, at quite unusual, interesting and special art space, LOFT – Spazio MatER Gallery. The gallery is more than a regular art gallery. It is the place of intensive culture discussions, different art events, and it is very active as an institution in the cultural and educational activities of Rome and Italy in general. This is visible and thoughtful place, and there is no surprise to me that it is them who did organise the first joint exhibition of Inna and Michael.
The exhibition will feature ten Michael’s drawings, mostly from his Divertimento series devoted to classical music, and twenty Inna’s art photographs of her poetic and philosophical works many of which are the artist’s homage to great writers, actors and musicians, as well as the works from her Flying Thoughts series.
The exhibition’s title is At the Same Time, and the thinking of the exhibition’s curator Ilaria Sergi and her assistant Valentina Caprara behind the concept of the unusual exhibition is “ to get into the depths of the two worlds: the ones of a man and of a woman, of a painter and of an art photographer, of music and cinema; the worlds which the both artists are implementing in their works with similar intensity, and are striving to reach the same objectives, with all the lyric that all these efforts are encompassing”, – according to the Rogatchis exhibition’s curator Dr Ilaria Sergi.
It seems to me that the concept of this new exhibition, with so many of its parallels, is highly symbolic in the case of the Rogatchis. Inna and Michael is, indeed, a very special tandem, a symbiosis of love, understanding and mercy.
This exhibition is no exception for the couple’s customary philanthropy. Both Inna and Michael designated several of their works for the charity purposes. The Rogatchi Foundation is running currently their international Friendly Hands campaign in support of the Italian people and communities affected by the devastating earthquake in August 2016.
Perhaps, here lays the one of the fundamental things about this couple: they are not indifferent to what is happening in our world; they are ready and willing to warm up everyone who is shivering.
Soul Catharsis
For many, me including, the art and creativity of both Inna and Michael Rogatchi is a true soul’s catharsis. Every time, seeing any of their works, the works which are transcending the strength of creativity, I do feel real uplifting. I also am feeling powerful spiritual cleansing and moral healing.
That’s why their letters, articles, news about many of their exhibitions, presentations, events and projects are so important for me.
I hardly would be walking through tiny streets of Rome and would visit At the Same Time exhibition there. Most likely, I also would not manage to get to the grand Zion Waltz exhibition at the Menachem Begin Centre in Jerusalem in May 2017 where inaugurating exhibition of the 30 large oil canvases of Michael’s Zion Waltz series and special The Tribes series by Inna will commemorate the 50th anniversary of the re-unification of Jerusalem, the anniversary of the utmost importance for Israel and the Jewish people world-wide. The exhibition of Michael and Inna Rogatchi is organised by the decision and under the patronage of the Ministry of Culture of Israel, Municipality of Jerusalem, and many other key state organisations.
Inna Rogatchi (C). Talking to the High. Homage to S.Y. AGNON. Horizon Beyond Horizon series. Fine Art Photography. Limited Edition.
But I am so glad to know that I was the one of the first people who were lucky and privileged to see some of the works which, I am sure, will cause the admiration of thousands people who will be visiting the forthcoming joint exhibitions of Michael and Inna Rogatchi.
Think about it: a man and a woman. If they are halves of the same entity, the world around them is becoming coloured in a unique palette, and it is thoroughly joyful. The world of the Rogatchi couple is shining and happy for forty years by now. Following the Jewish tradition, I am wishing them that their happiness will last until at least 120 years.
ANDRZEJ WAIDA. FINALE WITHOUT ENDING. IN MEMORIAM. by INNA ROGATCHIANDRZEJ WAIDA. FINALE WITHOUT ENDING. IN MEMORIAM. By Inna ROGATCHI (C). Wajda’s contribution into our very being had been so really huge and profound that it could be overseen and attributed to a natural environment. He was lucky to live a long and so productive life that has affected, formed, influenced so many of is in various parts of the globe. We were very lucky to have him and to learn from him in so many different ways, humanly, artistically, and philosophically.
Inna Rogatchi (C). From a Krakow Window. Homage to Andrzej Wajda. 2011-2013. Shining Souls. Champions of Humanity series. Fine Art Photography. Limited Edition.
Wajda’s share in the world of cinematography is giant, rare and so brilliantly unique. It could and would be compared with the Fellini’s legacy. Of course, the both Maestros are giants who has transformed a movie into a world, a space encompassing all existing and not existing dimensions, with ageless time having the leading role always. But my beloved Fellini was fortunate not to live the real life soaked in pain so inevitably, as his destiny has prescribed it to Andrzej Wajda. To keep all his pain, the pain of his family, and the pain of his country restrained for 70 years, a life-time, and then to unleash it with such dignity and elegance as he did it in Katyn, Andrzej Wajda did teach us one more lesson. The lesson of dignified memory that his father and all murdered Katyn officers did deserve so much. He painted his love to his father and his nation in meticulous, merciless, breath-taking way. He left no room for escapism. His judgement was fair and ultimate. He has made his pain classic. As true Masters do. We owe him so much that sometimes we do not remember that to a large degree it is due to his vision of the world we are who we are. But on the days like this, we do recall it. We really do. And it all comes back: his heroes, his visions, all those scenes, and – all those ending. The classic Wajda’s endings which are continuing all your life since you’ve saw it once, which are becoming a part of you. A part of us. A part of the world in which he lived, created and understood so painfully beautiful. Art work: Inna Rogatchi (C). From the Krakow Window. Homage to Andrzej Wajda. 2011-2013. Shining Souls. Champions of Humanity series. Fine Art Photography. The exhibition of the Shining Souls. Champions of Humanity series will be shown at the European Parliament in early 2017.
THINKING ON LEONARD COHEN ON HIS BIRTHDAY AND THE EVE OF ROSH HA-SHANAH 5777
YOU WANT IT DARKER – WE’VE GOT IT SHINING.
THINKING ON LEONARD COHEN on his birthday and the eve of Rosh HaShanah 5777.
By INNA ROGATCHI (C)
On his 82nd birthday, which was September 21st 2016, Leonard Cohen released a single You Want it Darker, the title song of his new album with the same title, and the same message, seemingly.
The song is performed together with cantor Gideon Zelermyer and Shaar Hashomayim Synagogue Choir in Montreal.
The effect of this Leonard’s deed – the song, its release, its performance, its lyrics, the way of performing it – is huge and reverberating.
After this very special single’s release, everyone is picking up the things which are closer to one’s heart: music critics are jumping on ‘mesmerising’ side of the song and performance; Leonard’s ever faithful fans embracing it as it is, and cannot help themselves but to think on the recent pass away of Marianne; wide Jewish public is attentive to the strongest possible connection to the core of Jewishness in this addressing to the Creator by the one of his very best sons.
I personally am completely taken by the Leonard’s smashing honesty and his immense courage. We know that those are his qualities, but this time, it is not about qualities. It is about the Heart of the Matter. And he did it in the best way imaginable.
As in our famous Rose of Thirteen Petals, a Kabbalah-based concept of complex and inter-depending view of the world and the place of a person in the layers of realities, both Leonard’s honesty and his bravery in the You Want It Darker-deed are far from being one-dimensional. It never is the case for Leonard, anyway, but in the things that straightforward as honesty and courage, more than one dimension is a luxury, and here, with multi-dimensional layers of it created and carried on by Leonard, we have a super-indulgence of human spirit and its strength.
I admire and salute our dearest Leonard for his human bravery, for his intellectual honesty, for his artistic finery and simplicity of the richest kind. I also am overtaken by his courage in bringing utterly innermost things to the stage open to the world – as the only real, exemplary kohen, the member of the priestly family in Jewish tradition, is able to do. And many in this world are learning from our dear Leonard in many things beyond music.
The thinking of his heart is absolutely honest, and it shines in all its darkness now when Leonard has come to the hardest thing to do for anyone; when a person comes – mentally, to start with – to the ultimate edge between the two worlds, this one and the World to Come. We all have our way to deal with it. Or we have not. To make it public – and beautiful – is given to very handful of us, the beacons for the rest of us. It is not just a blessing of the best of our priests. It is the act of courage in all its disarming sincerity. It is ultimate mercy of a big person.
Also, the honesty of the Leonard’s quest on the balance while coming to that very thin edge in between the two worlds: “You Want It Darker – We Killed the Lights” is the exemplary of the sharpness of the mind and the honesty of the admission.
The essence of the Judaism doctrine lays in comprehension of human responsibility for our thoughts, intentions and actions. Leonard brings it out on his 82nd birthday with no-nonsense sharpness. But being who he is, with his unique heart, the Master puts the sharp truth into the beauty of the voices of the Jewish choir and his cantor whose music gets the Leonard’s words up. And Up.
Inna Rogatchi. Heart Talk. Homage to Leonard Cohen. Horizon Beyond Horizon series. Fine Art Photography.
The Leonard Cohen’s 82th birthday song You Want It Darker is a great lesson on Light. After listening your sounding lesson, every word of it, I just want to tell you, dear Friend: You Want It Darker – We’ve Got It Shining.
Thank you, dearest Leonard. You are Our Man for generations to come.
Reflections on the first ever March of Living in Lithuania
by INNA ROGATCHI (C)
August 29th, 2016 has become truly important day for Lithuanian people, for Israel, and for all of us who does not know the past term for Holocaust. On that day, a small Lithuanian town of Moletai has become a scene of tangible and penetrating lesson on the Shoah. It was a rare event – unpretending, quiet and sincere; determined and devoted; the real thing.
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Inna Rogatchi (C). Our Memory. Lithuania. Black Milk & Dark Stars series.
Yet a couple of months ago, the people who were organising the March in the commemoration of the 75th anniversary of the Moletai massacre, were thinking that there would be 200-300 people in attendance, mostly guests from Israel, South Africa, and the other countries where the relatives of the victims of Moletai are living today.
“Observe that day in our memory…”
Moletai – which was Malat before all its Jewish residents had been annihilated – is the place in an hour drive from Vilnius where all its Jews had been locked for several days without food and drink in the one of the town’s several synagogues in the end of summer of 1941 before they were marched two kilometres to the specifically prepared pit. The 50 meter to 3-4 meter and of 4-meter deep pit had been dag by forty arrested Jewish men a day before. The digging took almost 24 hours. All the people forced to the death march were methodically killed next to the pit by the over twenty members of the Lithuanian white-band local police under the supervision of one Nazi officer, one translator, and the head of the Moletai district police. The decision of the massacre has come from the Nazi head-quarters in Utena, the district where Moletai belonged. The massacre was photographed by the Nazis.
The murder had been done in series, as the bodies in the pit had to be ‘organised’ by layers. There are at least three of them, but possibly up to five. Before the massacre, the Jews of Malat were thoroughly robbed, first their homes were looted completely, and then they were searched individually, hours before the massacre. In that pit, two thousand and three hundred people from Malat alone were murdered in the ‘action’ that lasted for five hours. Their belongings, including the clothes which they had to strip of under the gun-machines of their murderers, had been sold to the local population amassing 30.000 roubles. Their houses were grabbed too, of course.
The general figure of victims could be substantially higher: according to the official records of the Lithuanian Jewish Cemeteries register, 3 782 Jews from Malat and Utena together had been murdered at the pit. It is also believed that none of the 5 443 Jewish persons registered as the residents of the Utena district as of January 1st, 1941, did survive.
History does have miraculous threads for us in its arsenal. A couple of letters of the people from the doomed Malat had reached to their relatives outside Lithuania later on with a help of the Christian people from the place. The letters are preserved in Yad-Vashem now. So we could read the rows nervously scribbled in a rush by the victims themselves, just prior to their annihilation:
“ For two days now we have not eaten and soon we are going to be murdered. […] Everyone is dressed [and ready] with their beloved children and everyone is waiting. We are all [imprisoned] in the study house. Enough time remains so that sometimes we wish death would come already.[…] Observe this day in our memory: it will be the 19th of August.[…]Tsipora” ( YVA, O.75/158).
Letter from Moletai. August 1941. Courtesy: Yad Vashem (C). YVA, O.75/158
Three Generations of Oblivion
The followed 75 years, the time of three generations, were the years of oblivion. It is telling, indeed, that the March of commemoration of the 75th anniversary of the massacre has become the first commemorative event for the victims of such terrible crime.
For several previous years, the efforts of the Israeli-based relatives of the brutally murdered Jews in Moletai to commemorate their memory at the place of their annihilation went fruitless and frustrating. And also shameful, as well-known Lithuanian director Marius Ivaskevicius has shown so well in his exceptionally powerful writings on the issue of facing the truth about the Holocaust in Lithuania by the modern Lithuanian society. As I can see it, it was the Ivaskevicius’s personal stand that has triggered the awakening of the public conscience on the matter – and this is both healthy and timely.
Marius Ivaskevicius with his family at the March in Moletai. Photo (C) Viktor Tombak.
The issue started to be discussed in Lithuania much more intensely than ever before. For several years, a handful of Jewish activists, as Sergey Kanovich, are publicly challenging the very concept of the Lithuanian attitude to the Holocaust and the way of remembrance of the unparalleled tragedy and mega-crime in which 94,6% of the Jewish population of the country has been exterminated in the world record’ proportion. The nerve of the matter is that the crime has been committed largely and enthusiastically by the local police, known as white-band Lithuanian police, under the super-vision and command of the Nazis. Understandably, it is just impossible for the descendants of the Lithuanian Jewry to accept any kind of glorification of the Lithuanians who were participating in any way in such hideous crimes.
The recent book of Ruta Vanagaite “Ours. The Journey with the Enemy” had also been quite a bitter settling of the account between Lithuanians and Lithuanians on the matter of the Holocaust and the active participation of many local people in it.
Both Ivaskevicius and Vanagaite are not Jewish; and both thought that it would be necessary to emphasise it. Ivaskevicius has written a special statement-article “I am not Jewish” in the wake of his appeal to the Lithuanian own conscience with regard to the Moletai massacre as a case-study on their attitude towards the Holocaust today. Vanagaite starts each of her interviews with saying that she is not Jewish and that her motivation for writing a very challenging the Lithuanian society book was the fact of her familiarity with the documents telling on the participation of a several members of her own Lithuanian family, including her grandfather, in the actions against Jews during the Holocaust. Many people in Lithuania, even those who are not enthusiastic about the very disturbing book accounting the Lithuanian crimes during the Holocaust and too lenient attitude towards ‘unpleasant subject’ ever after, are saying that this book has brought the issue into the Lithuanian society which now has to discuss it, willingly or not.
Just a month prior to the March in Moletai, a wide and heated discussion, both in Lithuania and beyond it has erupted on the scandal around previously privatised 7th Forth in Kaunas, the first concentration camp in Lithuania, the place where five thousand Jews and three thousands POWs had been murdered about the same time with the massacre in Moletai in the summer of 1941.
At the same time, we shall not –and never will – forget those many heroic Lithuanian people who did save Jews or who were trying to do it, among them many clergy and nuns. In his deep and emotional letter on the eve of the Moletai March, famous theatre director Kama Ginkas whose entire family are Litvaks, has asked his friend and colleague Marius Ivaskevicius to put the stones from him and his ten grandchildren, none of which would not exist unless several brave Lithuanian people, including a few clergy men and women among them, would save and hide little Kama whose grandfather and many members of the family were murdered in the horrid 9th Forth in Kaunas. The same did very many people who were unable to attend the March personally but would like to participate in this commemoration in a distinctly personal way.
The People’s River of Memory
What has happened in Moletai on August 29th, 2016, overcome the expectations of many people who were familiar with the project. At least three thousand people in attendance, all by their own will, normal, ordinary people, many young ones, many with children, joined the visiting relatives of the massacred Jews of Malat . There were priests, Franciscan monks, women in the Lithuanian national dresses, high-rank Lithuanian military and soldiers, students, teachers, engineers, in the people’s river that flooded the streets of a small resort town. Additionally to many Israeli flags, there were Polish, Lithuanian and Latvian flags, too. The President of Lithuania Dalia Gribauskaite attended the ceremony along with Amir Maimon, the Ambassador of Israel in Lithuania and, in a truly thoughtful gesture, the Lithuanian Ambassador to Israel Edwinas Bagdonas, also was present. The Lithuanian Minister of the Defence was there on behalf of the Lithuanian government, and the Chief of Staff of the Lithuanian Army with a beautiful arrangement of white flowers represented the country’s military force.
In the first row of the March’s column, our good friend, the first president of the post-Soviet Lithuania legendary Vytautas Landsbergis was marching with his wife in a physically demanding effort. There are rare moments in life when one is deeply proud of one’s friend, and seeing 83-year old Landsbergis and his wife marching in Moletai on August 29th, 2016, was the one of such fundamentally important moments. Our other dear friend Emanuelis Zingeris was there, and many well-known members of the public, as well.
The first President of the post-Soviet Lithuania Mr Vytautas Landsbergis with his wife at the March. Photo (C): Viktor Tomrak.
There were the large prints of many photos along the way, both the victims and those who were saving the Jews, carried by many members of the public. For the first time in life of three generations, the people who were thrown into the ditch in the morning of August 29th, 1941, came back to life with their faces.
The other people were marching with over-sized yellow Stars of David being pinned to their clothes. Those were not Jewish people.
A black marble monument had been unveiled by the Ambassador of Israel at the place of that horrific ditch, with so many people queuing quietly and patiently in order to put the stone on the memorial and to light a candle there. Probably, in the heads of many people at attendance the words from Marius Ivaskevicius’s article were flashing; the words by which he, with barely held outrage, described a pitiful condition of the old small memorable stone to the victims of massacre ( not Jews, of course, in a typical Soviet style of omission) in the town. That stone had been knocked down some while ago, and private efforts by the foreign relatives of the victims to erect a modest memorial there went nowhere. It was all avenged and fixed now. Both in the concrete case of the memorial to the Moletai victims, and in a broader context, too.
Photo (C): Viktor Tomrak
“We are walking this road for them..”
The idea of how the 75th commemoration of the massacre in Moletai had been conducted, the participation of so many so different people, the role of the state in the commemoration, all this has created important precedent. It also contributed into what we all, Jews or not, do need essentially: personal connection. We do need it for ourselves, for decency of our life today and tomorrow. During the March, a small girl who was tired on the way, asked her mother:” Why we have to go so far, mummy?”. And her young mother has told her, in Russian: “Many years ago, the similar to us a little girl and her mom were forced to go all the way on this road, too. In the end of this road, they were murdered. Today, we are walking the way for them”. And the girl did continue to march bravely despite being quite tired.
March of Living in Moletai. Photo (C): Viktor Tomrak.
No one from so many of young children in that column would forget that experience, not to speak on very many teenagers and the youth in their 20s attending. And this is the essential part of the March in Moletai.
It has become a memorable, crucially important lesson on the Shoah in real time, by real people, among whom the prevailing majority were non-Jews. The majority of attendants were Lithuanians, but there were people coming from Latvia, Russia, Belorussia, Poland, to join the hands with relatives of the victims who did fly in from Israel, South Africa, Mexico, Argentina, Australia, and the USA. To me, the most important characteristic of that true commemoration was the people’s own willingness to join the March. It made it real. And it made it principally important for all those others who were not marching in Moletai physically, but who cares about keeping the record straight and memory alive.
The fact that it has happened 75 years after the massacre, after many years of oblivion, and amidst complicated context of the attitude towards the Holocaust in Lithuania currently, indicates that it is not ‘Never Again’ which seems to be rather wishful thinking, sadly, but it is ‘Never Too Late’ to learn and to admit. And to put that absolute pain and horror into one’s own heart, Jewish or not, – which is the only recipe for decency.
“It is not ‘us’ and ‘them’ any longer…”
I cannot help to compare the March in Moletai with another recent commemoration of the 75th anniversary of another awful crime of the Shoah, the Kielce pogrom in Poland. Despite many efforts to run a representative event of commemoration by those who care, we saw only few people in attendance, mostly the foreign relatives of the survivors of that absolutely black page of the history of the Holocaust in Poland. In presence there was just one low-rank official from the administration of the president of Poland who did not say a word at the small, short, extremely sad and almost non-existing ceremony. At the very same day of that utterly shameful episode, the minister of education of Poland has made herself internationally infamous calling a very well known and documented factual side of that pogrom in Kielce ‘a matter of an opinion’ on the Polish TV, to the visible shock of the presenter.
For some reason, the acting Polish authorities very persistently neglecting the core element in the current perception of the Holocaust and post-Holocaust legacy: that the truth about that terrible, relatively recent past is badly needed for the societies in which both the war crimes and moral atrocities had been committed. Without putting the record on the Shoah straight, the societies in those countries would be morally corrupt and severely maimed integrity-wise. Thus, they will be not resourceful, not prone to efficient development; human-wise, they will be effectively disabled.
Back to Lithuania, the March of Living in Moletai has been true to its name, and it is really encouraging. Among the comments on my first reaction to the March, there has been the one from a young Lithuanian journalist who is interested in history and its lessons: “This is a historic day. From today one, it is ‘us’ in Lithuania, and not anymore ‘us’ against ‘them’”. I personally find this kind of development precious.
At the Pit in Moletai. Photo (C): Viktor Tomrak
From behalf of mine and my husband’s extended family, a half of which are Litvaks, big Thank You to everyone who conceived, organised, and put all those noble efforts to awake the others; to those who participated in the Moletai March in Lithuania on August 29th, 2016. Thank you for your conscious effort to overcome indifference and oblivion under the circumstances in which such effort had been needed. Thank you all for every stone put on the places commemorating annihilated 2300 Jewish people there, for their photographs, their names, for their souls which had been released from that pit now.
Inna Rogatchi (C)
August 30th, 2016
Dr Inna Rogatchi is writer, scholar, film-maker, and public figure, co-founder and president of The Rogatchi Foundation – www.rogatchifoundation.org She is the author of internationally acclaimed The Lessons of Survival film on Simon Wiesenthal –www.rogatchifilms.org, series of historical analyses on Raoul Wallenberg, and of the forthcoming book on the Post-Holocaust Legacy and its Challenges.
In 1990, Russian president Boris Yeltsyn did quite unusual for the Soviet and post-Soviet ruler deed: he admitted the guilt of the Soviet regime. The matter was the massacre of the Polish officers in Katyn by the Soviets in 1941. Yeltsyn was courageous enough to hand to the Polish side highly classified documents from the Presidential Archive, specifically designated body to keep the most sensitive documents throughout the Soviet history safely locked there.
If there is something that Russian authorities are still keeping on Raoul Wallenberg case, the file, most likely, is to be at this very place.
At the time of establishing The Presidential Archive in 1991, in incredible haste and complete chaos amidst collapsing Soviet Union, the main thinking about it was to grab and remove the most important cases – as Katyn massacre and presumably Wallenberg case – from all existing in late Soviet Union archives, including those of the KGB and military intelligence, into the one place, to seal all the most sensitive secrets, and subordinate those explosive materials placed in large sealed envelopes to the only person who would be the arbiter on whenever to unseal the envelopes in question, when, and under which circumstances. That person would be a president of the Russian Federation.
I was a witness of the process, as I was working on many of hastily de-classified for a short period of time documents from all periods of the Soviet Union in a strong team of international researches and diplomats. We regularly saw the documents of extra-ordinary importance piled in disorder all over deserted compound of the Central Committee of the Communist Party in Moscow.
We have learned that the Presidential Archive has been established in a hot panic that overwhelmed the Soviet leaders at the abrupt end of the regime. We were explained by readily co-operative and palpably nervous men that the idea of the Presidential Archive is to make it small, compact and easily movable; so only the cases of the extra-ordinary importance had been selected there.
We have learned on the documents with four degrees of secrecy, with stamps on the pages of the originals: Secret ( secretno in Russian), Completely Secret ( sovershenno secretno ), Special Importance ( osobaja vazhnost ) , Special File ( osobaja papka ). The documents bearing all four stamps on its front page were at sole disposal of the Central Committee of the Soviet Communist Party, the nerve centre of the Soviet regime.
Yet atop of that, there is also documentation of a superior secrecy. Such documents are stored in a form of sealed packages and this highest form of secrecy in Russia is known as ‘sealed package’. Those packages are numbered. The Katyn package had number 1 written on it by hand. The package that contains the original materials on the Soviet-German pact preceding the Second World War is known as package 34 – which Mr Gorbachev
wanted to destroy, according to his closest aides who did not dare to do such a thing.
The envelope with what’s left in the Wallenberg dossier should be among those numbered sealed packages. In 2000, after the decade of hardly fruitful co-operation of the Russian-Swedish Raoul Wallenberg Working Commission, the Russian officials provided their Swedish counter-parts with the document that meant to be the proof that they did everything possible in order to trace the existing documentation on the case. The document was a protocol of the supposed to be a nation-wide search for the documents related to the Wallenberg case in all Russian archives. All of them, except the Presidential Archive.
There are repeated claims by the Russian officials insisting that the Wallenberg File was destroyed. In the realities of the Soviet security apparatus, however, it was hardly possible to destroy an entire file, a cache of documents. In all probability, such exceptional documents as the original of the letter that poor Raoul had written to Stalin from his cell at the Lubjanka prison, would not have been destroyed under any circumstances.
The idea of establishing in 1991 the archive of inaccessible documents in rapidly collapsing Soviet Union had been quite useful for the country’s leadership, seemingly. In the case of Raoul Wallenberg, it did work for twenty five years by now. Being added to forty six previous years, from the Russian perspective, it worked for them for 71 year and 8 months.
In August 2016, international media has reprinted basically one story about published in Russia in May 2016 diaries of Ivan Serov, notorious head of the KGB and GRU in 1950s and early 1960s, claiming it as ‘the discovery that would end the mystery of Raoul Wallenberg in Russia’. It is hasty and naive reaction, playing on the Russian authorities’ hand perfectly.
[ On the photo: Guy von Dardell, the brother of Raoul Wallenberg, in Moscow, at the Lubjanka Square, in front of the KGB head-quarters. 2009. Credit: SIPA Press].
General Serov and His Diaries
One needs to understand the place of general Ivan Serov in the Soviet totalitarian machinery in the key periods of its and the world’s history, from the end of 1930s through mid-1960s, to grasp what the publishing of his diaries means. Ivan Serov was the one of the most cruel and most efficient leaders of the NKVD, KGB and GRU. During 24 years of his active career, from February 1939 until March 1963, he occupied the most crucial positions in the Soviet punitive apparatus, being the highest official in charge with GULAG, and the chief NKVD representative in Germany after the end of the war.
He was the first chairman of the KGB after Stalin’s death and Beria’s arrest, and then the head of GRU, very able Soviet military intelligence, under Khrushchev. If not the case of colonel Penkovsky, the Western super-agent in the heart of the Soviet military intelligence, his boss Ivan Serov would be ruling the Soviet intelligence apparatus for long years to come.
Ivan Serov was a fearsome man. He played a pivotal role in organising the criminal extermination in 1941 of thousands of the Polish officers who were forcibly moved by the Soviets to Ukraine for the purpose of their brutal extermination. Many years later, being disagree with Yeltsyn’s decision to apologise to Poland for the Katyn massacre, he went on bragging : ‘Although I have organised ( in Ukraine) the liquidation of the Poles in much more substantial quantities that it had been done in Katyn, no one ever could incriminate me and us ( the regime) anything on that’, – he was saying, according to the account in his thorough historical biography by well-known Russian historian Nikita Petrov ( “The First Chairman of the KGB Ivan Serov”, 2005).
General Serov was the top Soviet specialist on deportations, and the author of a special instruction on how to prepare and execute mass deportation. That contribution of his was highly praised by the central Soviet authorities, and is understood to be used widely as practical guide-line all throughout the massive wave of sweeping deportations both inside and outside USSR under the Stalin reign.
Ivan Serov also took a personal participation in the politically motivated ethnic cleansings and did it eagerly: in Poland before the WWII and inside the Soviet territory during the war. He was responsible for massive cleansing of the Soviet citizens within the Soviet territory close the front lines that was moving in correspondence with the German offensive. He earned the rare and the one of the highest Soviet military rewards, Suvorov Banner of the First Degree, for the mass deportation of thousands of people from the Soviet
Caucasus Republics in 1944. He was the highest NKVD representative in the Soviet sector of Germany after the end of the war.
Serov was in charge with little reported massive operation conducted by the USSR in all countries in the Soviet sphere of influence, with total arrest of all ethnic German males from 16 to 60-years old and sending them to the Soviet Union as prisoners and forced labour. Those hundreds of thousands of men were not German citizens. He played a very visible, if not central role in the harsh suppressing of the Hungary Uprising in 1956.
It worth of noticing that Serov was not professional military man. He was exceptionally cruel apparatchik, the one of the key-figures characterizing the cannibalistic nature of the Stalin regime.
[Photo: general Serovs gets award from Molotov. Archive photo ].
Operation ‘Suitcase’: Timing & Aiming
In May 2016, a series of events was organised in Moscow. The events were highly-profiled and covered in the Russian media at its best. But somehow, it did not catch the eye of the Western media, which came as disappointment to the Russian side.
Firstly, on May 11th, there has been a presentation of a new book at the Russian Military-Historical Society. The Society is a top body in Russia, with articulated patriotic agenda. It is patronised by the Russian authorities and is funded by the state, with a special article in the Russian state budget for the body exclusively.
Then, in two weeks time, the exhibition has been opened at the new Museum of Military History ( opened in 2015 ). The title of the exhibition was “Ivan Serov. A Man of the Epoch”, and it was opened by the Russia’s minister for culture Vladimir Medinsky. Medinsky who is known as a keen amateur military historian and a proud adept of Stalin, was instrumental in re-creation and state funding of Russian Military-Historical Society. He made it possible for the Museum to get a prestigious place and building in Moscow, just next to the Tretjakov Gallery, so many people do believe that the new Museum is a part of the world famous art collection.
The exhibition was done on a top level. It presented the vanished figure of general Serov in pain-staking detail and reverence: his uniform, his official passes signed by Stalin, a myriad of his Soviet military and state decorations, a museum installation of his restored office, tens of photographs of him with entire Soviet elite. A figure of general Serov had been literally taken from oblivion and presented at the state level now, with deep respect, if not an admiration.
A public presentation of the general Serov’s diaries book also had a place at that state-level ceremony. Minister Medinsky was announced as a patron of a public side the whole project, not surprisingly. There had been focused effort to draw as much attention to the publication of the Serov’s diaries, as possible. In all the speeches and followed media reports we heard nothing but ‘sensational discovery’, ‘true detective story’, ‘thriller’s plot’, ‘unprecedented discovery’, etc. But in a good old Russian tradition, the public there tends to treat anything what is promoted by the state so emphatically with a good pinch of scepticism. As it turned in this case, with a good reason.
On the cover of a thick 704-pages volume, additionally to its title and the name of Serov, there is an extra-line: “The Alexander Khinshtein’s Project”. As it happened, the diaries of the first chief of the KGB and head of the GRU had been ‘read and edited’ and actually written for the book by Mr Khinsthein. This detail did not ring any bell in the West. But it did in Russia where Khinshtein is known not only as the MP, but also as the journalist who had been very close to the KGB, openly so in the beginning of his career.
Those are not ‘speculations’. Khinshtein has a wise policy of not denying the very well known fact, but instead proudly declaring such co-operation and his support of the Russia’s (and previously late Soviet) security and intelligence services.
“There is one thing when people are thinking that they would be reading Serov’s own text, and it is totally different when they realise that they will be reading the text of Khinshtein’s. And Khinshtein, of all people”, – the experts on the Russian intelligence history were discussing on ever popular Echo of Moscow debate ( Ivan Serov’s Diaries. Year 1941. Dilentants programme. Historian Boris Sokolov speaks to publisher Boris Dymarsky. Echo of Moscow, July 14, 2016).
There should be no mistake: the published recently book presented as a genuine diaries of general Serov, is the result of the thorough work of the close to the Russian security services journalist who had edited the materials and presented it in his own way. The title on the book’s cover thus is quite correct: it is the Alexander Khinshtein’s project. And his friends, colleagues and soul-mates’, too.
The discovery of such utterly delicious historical material as the trove of diaries of Ivan Serov was presented to the public in the following way: the Serov’s grand-daughter absolutely accidentally found the treasure hidden in the wall of her grandpa’s garage when she decided to renovate the place that she has inherited in 2012.
The organisers of the Serov-show were so generous, as to exhibit the suitcases in question, along with the genuine type-writer on which Serov’s wife was typing her husband’s memoir, lovingly arranging the manuscripts from the trove in a garage wall inside the suitcases at the exhibition.
The secrecy was supposed to beef up the interest to the story, and the minister himself was not tired to remind that ‘to have a diary it was absolutely impossible thing for a Soviet security official, as anyone who would do such a thing would be facing military tribunal”. So, general Serov, the steel-disciplined boss of both the KGB and the GRU had been suicidal to keep the diaries knowing the risk?.. It is amusing to observe the Russian top officials sometimes.
There are many intelligence professionals in Russia who had been analysing the story known now as ‘Operation ‘Suitcase’ wittingly and ironically. Some of them calculated that for the laying the suitcases presented to the public into the wall, the wall in its width should be 90 cm at very least which was not the case in a garage walls in the Soviet Union, even for the boss of the KGB. “Ridiculous, and so hapless”, – was the verdict of the pros’ community in Russia.
Also, any expert on intelligence does know the way and form of preserving information in Russia, doubly so, personal information and notes, and when it comes to such high-profile security official, as Ivan Serov was. Maybe in twenty years time such funny explanations would do for the Russian public in the way, as it did for the Western media now. But until the time when people in Russia who are still remember the Soviet realities are alive, Medinsky, Khinshtein and their team do not stand a chance to fool their own people. Sorry, guys.
It is known that bitter general Serov who had been ousted from his operative positions and was even deprived his membership in the Communist party ( which was severe and menacing punishment in the USSR) was quite jealous after the publication of the Marshal Zhukov’s memoirs, and the attention it has grabbed both in the USSR and internationally. Serov was bragging in the family circles that he ‘would be able to write a memoir that would certainly beat the one by Zhukov, as he does have a lot to tell about many things’ ( Nikita Petrov, “Ivan Serov, the First Chairman of the KGB”, 2005). You bet he would.
Given the amount of the Serov’s highly incriminating knowledge, then the KGB Chairman Andropov had alarmed the Soviet Politbureau on possible another memoir scandal, after the one that they had with the Khrushchev’s memoir. Andropov had his personal interest in that matter, too. During the extremely cruel crush by the Soviets the Hungarian Uprising in 1956, the future long-termed head of the KGB and short-termed leader of the USSR Jury Andropov was the Soviet Ambassador to Hungary. He was known for his personal involvement into massive Soviet repressions in Hungary during and after the Uprising. But it worth to remember that in practical terms and reality Andropov was a subordinate to general Serov who had been the real master of the Soviet repressions in Hungary in 1956. Andropov was the least person interested in the appearance of any memoir by his previous boss-de-facto.
It is known that Serov was summoned to the Central Committee office at Staraja Ploschad in Moscow and have got quite a harsh lecture there on inadmissibility of even a thought of any kind of memoir issued by him. The episode occurred in 1971. Serov fully understood the message, and it could be plausible to think that whatever he had in a written form as a working material for his would-be memoir, he had packed and stocked away, – but not to wall it up into a wall of a garage. Yet more plausible is that he had been ‘recommended’ to surrender his materials to ‘a safe place’ where the state would have take care on them. Most likely, it is what really had happened with the Serov’s papers. In those now famous suitcases, of course.
There had been discrepancies in the family’s story accompanying the official show around ‘the discovery’. Initially, Serov’s grand-daughter Vera was telling on ‘accidental founding of two suitcases’ and ‘a half of year’ of the time that she needed for scanning it all personally. A bit later, a different version appeared – now there was ‘three suitcases’ and ‘a year’ that the scanning took. Those are not small details. Those are the details which had been altered, thus casting a doubt of the ingenuity of the Vera Serov’s public version of her story.
[Photo: Vera Serov posing at the installation at the Ivan Serov exhibition. Moscow, May 2016. Russian Media, Open Sources].
Analysing all the factors, many intelligence experts have expressed the opinion that in a high probability the volume advertised as genuine diaries of general Serov is the official version prepared by the Russian authorities. The question is why now? And what for, in general?
Characteristically, in the 704-page book, there is hardly anything new stated. The book is full of carefully selected details of general Serov’s meetings, attendances, discoveries – such as the bodies of dead Hitler, Eva Braun, and the children of Goebbels. Which is not a small thing for historians, of course, but his role in Berlin in 1945 had been known previously, as he was the one who called Stalin to report on his discovery of the corpses in the Hitler’s bunker.
There is only one story from the 704-page book promoted as ‘sensational’ that did catch an eye of the Western media, the story on Raoul Wallenberg.
In the Serov-Khinshtein’s book, there are few short entries regarding Wallenberg. Some of them are certainly worthy of attention, given the omerta that both the Soviet and the Russian regimes are still keeping on Raoul Wallenberg for more than 70 years. In the book, it is stated by general Serov in the interpretation of Khinshtein that “based on the reports by the top NKVD officials, Stalin and Molotov were interested in using Wallenberg as a witness of the Soviet side at the Nuremberg Trial”; that Soviets ‘ had agreed with American side’ on the appropriate for them spectrum of issues which would – and would not – be presented at the trial; that after such agreement, “after the end of the Nuremberg trial, Raoul Wallenberg has lost its value” ( for the Soviet regime and its leaders); that infamous head of the Soviet NKVD special Lab that was designated for killings by poisoning ‘Maironovsky and the staffers of his special lab has confirmed that in 1946-1947 they has liquated a number of the foreign prisoners who were kept in the inner Lubjanka prison and in Vladimir prison. They did not remember concrete names’ though. And that former minister of the Soviet security Abakumov who was later arrested and shoot in the Beria-related purge, ‘did confirm during his interrogations the liquidation of Raoul Wallenberg namely. He ( Abakumov) was referring to the direct instructions of Stalin and Molotov whom both he briefed on the case regularly’.
In the final entry on Raoul Wallenberg, the book states that many years after, being retired, general Serov had unofficial meeting with a senior Soviet official ( whose name he promised not to reveal). In their discussion, the official asked general: “Could it be possible that Wallenberg might be kept in (the Soviet ) prison institution under the assumed name today?”. I replied that my people had conducted the most thorough check, and I have no doubt that Wallenberg has been liquated in 1947” ,– is written in the book.
We could help to the book’s editor: the meeting described above had a place in 1987, three years before the Serov’s death. His vis-a-vis was the member of the last Soviet Politbureau Alexander Yakovlev who had been very close to Gorbatchev and was an architect of the Soviet ‘perestroika’. Yakovlev was double-checking the facts before his meeting with Academician Sakharov who shortly before that was released from his exile. Andrey Sakharov, the conscience of Russia, was extremely taken and involved into the efforts to shed the light into the destiny of Raoul Wallenberg ( as I have written on the subject previously, citing my conversations with Sakharov’s widow, Elena Bonner, in early 1990s – Inna Rogatchi. Restoration of Heart. Thinking on Raoul Wallenberg. Materials of The Art of Impossible, the International Raoul Wallenberg Conference and Roundtable. Raoul Wallenberg International Initiative ( RWI-70 ). Budapest, May 2016; https://www.facebook.com/permalink.php?story_fbid=1625478441076964&id=100008444714060; and http://www.israelnationalnews.com/News/News.aspx/212598 ).
These statements are not new, for the experts. The information of murdering Raoul Wallenberg by poisoning him in the murky Lab Number 12, the Maironovsky Lab, appeared for the first time in the memoirs by general Sudoplatov in co-authorship with highly reputed American historians Leona and Jerrold Schecter in 1994. In his recollection, the most important Soviet spy-master did not elaborate on the reasoning of the Wallenberg’s murder.
That reasoning had been thoroughly analysed in quite authoritative book by Lev Bezymensky, The Budapest Mission: Raoul Wallenberg. The book published in 2001 had been the first, and to the best of my knowledge, the only book in Russia solely devoted to the subject. Characteristically, it was published in 2001, just after the end of the Yeltsyn’s rule. It would be hardly possible to publish anything like this book on a later stage. Lev Bezymensky knew what he was talking about. He was a well-known expert on German history who had been close to the top Soviet military and security authorities during whole his career. During the Second World War, he was the translator for the highest Soviet military command at the interrogations of Marshal Paulus, and later on, at the interrogations of Goering, Keitel, and the other top imprisoned Nazis. It was in the Bezymensky’s book that the quite well reasoned explanation of the murder of Raoul Wallenberg after the end of the Nuremberg trial had been published for the first time back in 2001.
The few notes on Wallenberg mentioned in the Serov-Khinshtein’s book now, is a compilation of the previous revelations by two major sources, general Sudoplatov and Lev Bezymensky. From a point of view of a historical observer, it looks as general Serov sort of ‘stamped’ the Sudoplatov and Bezymensky’s statements, made twenty two and fifteen years ago in retrospect, with his confirmatory verdict: “Correct” ( Verno in Russian).
There is one interesting detail with regard to the timing of the book’s publishing now. The first presentation of the book, for the members of the Russian Military-Historical Society, was organised a week before serious international event, The Art of Impossible, The International Raoul Wallenberg Conference and Roundtable organised in May 2016 in Budapest. The conference was the results of the efforts by The Raoul Wallenberg Initiative ( RW-70) and the Wallenberg family – http://www.israelnationalnews.com/News/News.aspx/212598
The exhibition and public presentation of the Serov’s diaries had happened in Moscow a week after the conference in Budapest. The conference had been carried on at the high international level, with participation of many Ambassadors of the key countries involved in the Raoul Wallenberg story ( but Russia), and such legendary figures as the former Minister for Foreign Affairs of the Czech Republic, the mentor of Vaclav Havel, and the first Chairman of the International Helsinki Federation for Human Rights Karel, Prince of Schwarzenberg, and former Minister for Justice of Canada Irwin Cotler, as well as the author of the critically important new biography of Raoul Wallenberg Ingrid Carlberg.
[Photo: Karel Schwarzenberg speaking at the Raoul Wallenberg conference. Budapest, May 2016. (C) Inna Rogatchi].
The conference was covered prominently in the international media, not only during, but also before and after its occurrence. The next stage of this international initiative is planned, as it was announced, as the visit of the selected Raoul Wallenberg Initiative committee to discuss the progress with the Russian authorities in Moscow in October 2016.
Additionally, the Wallenberg family, being tired and exhausted, has decided to ask the Swedish authorities to declare Raoul dead, and this act of closure from their side is expected to happen in the autumn this year.
Despite all the fanfares of the Operation ‘Suitcase’, it did not arise any interest by the Western media initially. After two and a half months, in early August 2016 the article on the topic has finally appeared in The New York Times. The article had been written by Neil MacFarquhar, the Chief of the NYT bureau in Moscow from 2014. MacFarquhar who has spent the most of his life in the Middle East, is known as a versatile expert on the Middle East, but he had been unknown for his works on the history of the Second World War, or Raoul Wallenberg, or Russia, for that matter, before just a two years ago. Two Russian journalists had contributed to the NYT story, very helpfully.
Also interestingly, the previous NYT article on Raoul Wallenberg had appeared in New York Times four and a half years ago, in January 2012. And in general, the NYT lists just four articles on Raoul Wallenberg that they had published since 1952, including the latest story, the one of them covering a musical on the Wallenberg’s life.
In a classic scenario, the publication in the NYT had mushroomed in no time: Daily Telegraph, Le Point in France, German Focus, many Israeli media, Politiken in Denmark, Svenska Dagbladet, Hungarian, Estonian, Finnish, Argentine newspapers has all practically re-printed the initial story in the first couple of days.
Symptomatically, no other topic of the 704-page book by Serov-Khinshtein had been picked up by the international media. Nothing else at all.
The message went through world-wide, the one and the same, from the visible international media-source. In the text-books on intelligence and the classics on its history – such as the books of the distinguished professor Christopher Andrew – this chain of events has its definition as ‘an active measure’. In the case of Operation ‘Suitcase’, it has been conducted in a classic way. Congratulations, comrades.
Unfinished Business
Personally, after years of looking into the matter, researching it, and talking with many key people and experts, I do believe that Raoul Wallenberg who, extremely deservingly, was called The Conscience of Sweden, and had been posthumously made a honorary citizen of the USA, Canada, Israel, Hungary and Australia, had been unlawfully kidnapped, arrested and detained as anonymous prisoner in the USSR on the direct and personal order by Stalin. I also am of an opinion that Stalin had a very clear plan to keep Raoul until the Nuremberg Trial as the possible counter-witness for the Soviets, in the case they would not be successful in convincing the American Administration of the time not to include into the trial’s agenda such impossible for them matters as their secret protocols with Hitler and the Katyn massacre.
As they succeed in that, poor Wallenberg has become easily expendable ‘collateral damage’ in their eyes, also because the position of the Swedish authorities on the matter had been just unimaginably weak and servile. The Soviets had had a very well grounded impression at the time that nobody cared and would make a scandal over Raoul. There had been no problem for Stalin to order his ‘liquidation’, in their casual term for murdering people, most likely, at some stage in 1947.
In the following years, in my understanding, Khrushchev needed that explosive material – on who issued which order – in his internal fierce intriguing at the highest level of the Soviet power; it is known that he kept the Wallenberg case’ documentation for his wrestling with Molotov. During the 18-years-long reign of Brezhnev nothing ever happened with regard on the acknowledging any mistakes of the past, not to mention crimes. Andropov was continuing the line even more fiercely, and Gorbachev who was eager to destroy the entire package Number 34 with secret Soviet-German pre-Second World War protocols, was not the person who would have a stomach to admit the truth of the crime of such screaming proportion.
Yeltsyn could do it, as he did with Katyn massacre, but after his bold gesture, he was so severely criticised for invoking ‘a shame’ onto the country that he has decided to take a pause in those revelations. Symptomatically, the last official effort to uncover the truth on the Raoul Wallenberg’s destiny, the creation of the Russian-Swedish Bilateral Working Raoul Wallenberg Commission has occurred and was carried on in the decade of the Yelstsyn’s rule, and it was shut down when this rule came to the end.
But even then, the work of the Commission had been very difficult, stagnated, met with numerous obstacles permanently, and turned out to be frustrating and fruitless experience. And then unorthodox, but human Russian ruler Boris Yeltsyn was gone. The rest is known.
During the last sixteen years, from 2000 onward, there had been no news from the Russian official sources on the destiny of Raoul Wallenberg whatsoever. Until the publication of the Serov’s diaries, the cognition of the ‘Operation ‘Suitcase’.
Characteristically, on the occasion of the book’s presentation and the opening of the exhibition on the life of general Serov, the Russian minister of culture, influential in his country Vladimir Medinsky, made the following statement regarding the key role played by Serov in mass deportations of many people of the USSR and the Eastern and Central Europe: “How everyone from us would behave when finding itself at his place, upon receiving the order to deport people? Would somebody start to discuss such order?..” ( quoting from Moscow Komsomoletz newspaper #27111 report, May 27th, 2016). This line does not need a comment. People often could be self-revealing; sometime, in a charming way, sometime, in horrific one. The point here is that Medinsky was absolutely genuine in expressing his views.
The message from the Russian official side is clear: they are hopeful that with the useful international pick-up of the Serov’s statements in his diaries, the matter on all those so tiring inquires on Raoul Wallenberg’s destiny will be closed now. It is quite obvious that Mr Medinsky and MP Khinshtein are not the main players there. Willingly and loyally, they are serving their master who, being a pragmatic enough person does realise that the state of Russian Federation just cannot sit on still open question of Raoul Wallenberg’s destiny indefinitely.
In a further unfolding of this easily readable scenario, some weird appeals to the current Russian Tsar started to appear in public from the sources who, for some reasons, are ignoring very well existing family of Raoul Wallenberg and the family’s wishes. Those people have decided to beg the Russian president, literally, to ‘let them to bury Raoul’ – when everyone knows perfectly well that murdered Wallenberg had been cremated instantly and even his ashes do not exist.
In the same addressing, the people who issued it either being utterly naive, or because of the other reasons, wrote the following: “We are certainly not seeking an investigation into the circumstances of Wallenberg and Langfelder´s detention and disappearance. These events occurred long ago amidst a particular historical context, in the wake of humanity´s bloodiest war. Our sole aim is to bring closure to a human tragedy” ( The Open Letter to the Russia’s President Vladimir Putin. The Raoul Wallenberg Foundation , August 9, 2016 – http://www.raoulwallenberg.net/wallenberg/fate/mr-putin-let-us-bury-raoul-wallenberg/ ) . The signatories of the letter did take a good care for publicising their utterly servile addressing to the Russian president internationally. This is exactly the tone and the message that the Kremlin today would like to hear on the Wallenberg case, and this is exactly the aim of all their elaborated, but not exactly fine, recent operation on the matter.
But Russian authorities are wrong in their intention to close the matter in this currently promoted motto, in indirect and convenient for them way. The crime committed against Raoul Wallenberg has been so hideous, and the handling of the matter by all consequent Soviet and Russian regimes had been so unpardonable that the Russian state does have the obligations before the Wallenberg family and the Kingdom of Sweden.
The Russian Federation has to admit officially the crime committed by the Soviet authorities against the Swedish diplomat and the hero who did save tens of thousands of people from the Holocaust.
They also have to apologise for unlawful detention, kidnapping, imprisonment, and premeditated murder of Raoul Wallenberg, the innocent Swedish citizen.
They have to compensate this hideous crime in a full measure. The immediate family of Raoul Wallenberg, his parents and his brother, did spend a fortune during seven decades of fruitless, desperate search for their son and brother. The family is entitled to full compensation against the crime committed by the Stalin regime and concealed by the all consequential governments of the Soviet Union and Russia till today, with an equivalent of the certain sum elaborated by the team of the international lawyers, for every year since the Raoul’s kidnapping until the moment of the official admitting the crime and its concealment by the government of the Russian Federation, and the issued by them the official state apology.
There is also would be logical to expect from the Russian state their official apology for 72 years of consistent, cruel, inhuman lies with regard to Raoul Wallenberg and his destiny. But I am not as naive, as some of my colleagues in those Western media who did swallow the hook of the ‘Operation ‘Suitcase’’ without a second thought. When it comes to morality, respect and behaviour, one should not expect too much from the Kremlin, as we have learned from the history so painfully.
We are getting the message from Moscow, naturally. It is too clear one not to. We know that Raoul Wallenberg, most likely, is dead for sixty nine years by now. But it will be yet another betrayal of that outstanding man, that champion of the humanity whose shining soul is still warms up the millions, to give in his memory in the way prescribed for us by the Kremlin.
According to the UN convention on Human Rights, the crimes against humanity have no period of limitation. The murder of Raoul Wallenberg by the Soviet state is certainly such crime. In this case, justice can and shall be applied. It is applicable via triple action to be conducted by the Russian authorities: admission, apology and compensation. Until all these three elements would be implemented, between Russia and Raoul Wallenberg it will still be the same as it was during past seventy two years – the unfinished business.
Inna Rogatchi (C)
August 2016
Dr Inna Rogatchi is the author, scholar, film-maker and the president of The Rogatchi Foundation. Among her work on the modern history, she has published and taught a special course Analysing the Totalitarianism: Documents from the Soviet Archives; authored The Opaque Mirror book that analyses psychological aspects of the intelligence in the USSR; authored several documentaries on the history of the Soviet and American intelligence operations during the Cold War, including internationally acclaimed The Morning After the Cold War film. Her recent film is The Lessons of Survival: Conversations with Simon Wiesenthal that also addresses the destiny of Raoul Wallenberg – www.rogatchifilms.org
The biggest in Europe conference on the Jewish Cultural Heritage had place in Warsaw, Poland in June 2016. The conference had been organised by POLIN, the Museum of the History of the Polish Jews. POLIN had been repeatedly voted as the best museum in the world, and the best museum in Europe.
POST-HOLOCAUST LEGACY: CHALLENGE & RESPONSES has been the theme of the Inna Rogatchi’s presentation at the Jewish Cultural Heritage conference at the POLIN Museum in Warsaw in June 2016.
The presentation has caused a vivid discussion and brought many interesting and deep thoughts by its participants.
The essay is based on the presentation made by Dr Inna Rogatchi at the Jewish Cultural Heritage conference at the POLIN Museum in Warsaw, Poland, in June 2016.
A Catalogue of Paradoxes Dr. Inna Rogatchi (C), June 2016, The Rogatchi Foundation Essay based on the presentation at The JEWISH CULTURAL HERITAGE CONFERENCE, the POLIN MUSEUM, WARSAW JUNE 8-10, 2016 Top Illustration: Inna Rogatchi (C). Our Memory. Lithuania. 2014 Written for Israel National News
INTRODUCTION The legacy of Post-Holocaust is a multi-faceted phenomenon. It both objective and subjective; it both an origin and a consequence at the same time. There is no surprise that such complicated in structure, multi-sourced in the origin, changing in its appliance phenomena is full of challenges that we are facing daily and in an accelerated motto. Due to the complexity of these phenomena, when looking into the post-Holocaust legacy challenges closer, we could see there a maze of paradoxes. Here, I choose to speak about five of the most essential of them.
PARADOX 1. REMEMBERING BY NON-WITNESSES.
The origin of this phenomenon is objective, it is time-passing. We all are aware of the standing fact that the Holocaust survivors are passing away, very sadly; and the age of those who were children during the WWII is very senior, indeed. My mother who would be 84 now, was 8-eight old during the war and remembered it as her quite-essential forming experience utmost deeply till the rest of her life; Rabbi Yisrael Meir Lau is 79 today, and although he was just a four-year old boy, he has the first-hand experience imprinted and engraved into his memory for ever. Scientifically, a child remembers the events of his life assuredly from the age of 5; in some rare cases, some separate events could be remembered well when a child has witnessed it being age 4 and possibly 3, but certainly not earlier. On this ground, the age of the children of the WWII who would remember the events firmly and consistently, is around 80 years old today.
And even for the second generation, we all are over 50, and in prevailing numbers are around and over 60- years old – which gives you a pretty solid food for thought and quite articulated call for action – for those of us who have the principle and convictions that not allow us to forget, to through away that very uncomfortable, highly disturbing but quite essential part of our psyche.
The challenge here is quite obvious and straightforward one: how one could remember the things that he or she did not witness? The challenge invokes not only philosophical dimension, and not even just psychological one – because you could have a suitable assumption for the first and a sufficient training for the second. But it does invoke neurophysiology aspect, as well; the one which borders on the edge of impossible.
The challenge we are facing today and will face in the coming years with astronomically progressing speed is: how will you make a person who has no clue on the town of Oswieciem, or village of Treblinka, or the realities of life of Jewish Warsaw in late 1930s, to remember, to feel, to comprehend with a qualities of a first-hand witness, what has really happened there?
This is not a theoretical question as our life today shows us with a crystal clear clarity. Without ours and the next generations’ ‘first-hand’ remembering of what has been done to our mothers, grandfathers, and then more elder generations of our families, in the enlarged meaning of it, to our all’ one family, we will endanger our humanity seriously.
What to do? How to meet this challenge?
I am working in this field for many years, and on all continents, practically. My personal response to that is honest, calm, and detailed recall of the Holocaust events in all possible ways: books, films, exhibitions, excursions, special events. My ‘recipe’ for making our memory on that of a quality of a first-hand witness is as much chronicle and documentation as possible; photographs, artefacts, subjects and objects, and of course, the oral history of the Holocaust.
Was not it enough of all of this being produced and presented, one could argue? No, it was not – I would respond.
Just a few samples of it from many: father Patrick Dusbois who is working tirelessly in Ukraine for the last 25 years collecting witness evidences of what has happened there still discovers piles of new materials, and has it in such quantity, he says privately, that it would be enough for several books. During my presentations world-wide, practically in every audience on all five continents, there are always people, and sometimes there are many of them, who are telling extraordinary family and personal stories. I am of a strong opinion that every single story of every single person experienced the Holocaust shall be recorded in detail. In this way only we would be able to preserve not just our memory, but our decency.
Art and reflecting is important for our comprehension of the Holocaust and our living through post-Holocaust, but I personally do believe that there is nothing that matches chronicle, the real people, and facts.
As a sample of such badly needed responses to the challenge of remembering by non-witness, I would call the recent, released the last year, return to the public domain of the Hitchckok’s footage of the liberation of the death camps undertaken by Dr Toby Haggith from the Imperial War Museum, London. As it became known, Dr Haggith was struggling very seriously for the releasing these tapes which Hitchckok himself had no stomach to work on. For making the public appearance of the revived unique footage possible, Toby Haggith was fighting as a lion, to his highest credits. But when he won, and the world just had to show it to us in a chain-reaction motto engaging all major world TV channels, we were presented with exactly what I am talking about here: an eye-witness account of the things which are indescribable.
And then you saw there the footage of the Germans, those ordinary citizens, not the ones in uniforms, who were paraded by the British troops through some of the camps, to have a look on what had happened just now, just there, in their serene alpine neighbourhood. Have you noticed from that footage on how the German population behave? They did not watch. They marched indifferently, stubbornly, all looking absolutely straight ahead, to their neighbour’s back of the head in front of them, not to the right, and not to the left where the victims of their brothers and husbands were piled off in a cadavered form, not for a second. And please do not try to tell me that those poor ordinary people were afraid, or shocked, or shamed. Because I saw the footage many times, examining it in detail. They were not interested. Period. Not at the day, and not at any other given day all five and a half years of the ongoing crime again humanity committed so enthusiastically by so many of them.
Thanks to the Toby Haggith’s effort, seventy years on, we all were placed into the May 1945 days of the liberation of the hideous Nazi death camps. We were injected with that rapidly vanishing witness’ memories in a powerful but also measured and thoroughly thoughtful way. Anyone who saw these films, even by chance, of any age and in any country, hardly would forget – such is mechanics of human psyche and memory. And here is an exemplary response to that very serious challenge, on how non-witnesses could be helped to remember.
PARADOX 2. TAKING SIDES WITHOUT UNDERSTANDING.
This is an interesting and deep consideration and concern to which I am indebted to my friend great Karel Schwarzenberg, the one of the last scions of humanity among us, in my perception.
Recently, long-termed Minister for Foreign Affairs of the Czech Republic, current Chairman of the International Affairs Committee of the Czech parliament, the mentor of Vaclav Havel and the first ever Chairman of the Commission on Human Rights after the fall of the Iron Curtain, has told me: “The one of the most overseen phenomenon of the post-Holocaust was that even when the German youth, after decades of stoned silence by their families, has learned something about the horrors committed by their fathers and grandfathers, thousands and thousands of young people has rejected those horrific deeds – and the both generations of their families with it – without real understanding of what had had happened; what has been committed, how, by whom, why, what for, how it all had been orchestrated, who did accomplish these hideous crimes in entire Europe and for what purposes. This core moment – rejection without real deep understanding – was a crucial gap which has echoed in many ways and forms not only back in 1960s, but also all the decades since then. And if we would not do something about it now, it will be the case tomorrow, too”. I cannot agree more with the one of the great humanists of our times.
The nature of this paradox is that people are more often than not are inclined to jump into the taking sides without real understanding of the processes they are identifying with, or opposing to.
The application of that known psychological and social phenomenon to the post-Holocaust issues is illustrious. The reality in which thousands of people in Germany and elsewhere jumped to the quite natural and understandable rejection of the deeds of their fathers and grandfathers turned out to be far more complicated and shallow that one could expect. Those thousands of people acted impulsively and on the right direction, but they did lack the knowledge, the understanding, the detail. They also lacked analysis, statistics, chronology which would allow them to see the process of its origination and development – thus to bring the real understanding of what Nazism really was, why it has become so devastatingly successful, and why it has to be rejected.
This is this very lack of understanding has led, in fact, to repetition of many of the a la Nazism sub-phenomena that we are witnessing today. It has made the repetition easy. Today, those sub-phenomena are mushrooming and re-appearing as if nothing ever happen. The most recent sample of many is the presidential elections in Austria, and how extremely close to the victory there has become the leader of the Austrian extreme right-wing far-nationalists. Did not Vienna have got enough of them?..
The other telling samples are the massive neo-Nazi organisations and movements in Hungary, Poland, Greece, not to speak about Germany itself – it is all there, again, as nothing ever happened, despite the fact that all those countries did know the Nazi evil to the face, and very painfully so.
Where from the modern and current neo-Nazism gets its nourishment, so to say? How on the earth it has become not just possible, but also officially and serenely acceptable that a regular norm of copyright is applied to such manual for evil-in-action as Mein Kampf? Why we never learn? Because many of us never bother to understand.
With Mein Kampf, quite expectedly, just a few weeks after the publication of ‘a careful’ edition with commentaries, the first one after a 70-year’ ban in Germany, there are the line of rapidly appearing eager German publishers who are about to start to produce ‘a genuine’ Adolf’s product, not bothering with any commentaries, of course. They will be hitting the market any day now, and the German ever slow legislation – which was good 70 years late to bring to court-rooms as many, as 90% of the Nazi criminals – just think about this fact along – is ‘thinking about examining the legality of the publishers’ intentions’. If the subject would not be Mein Kampf, it would make a good joke, indeed.
There was no precedent before the Nuremberg Tribunal, but there has become the one after it. In the very same motto, there could be no precedent in the super-state of Bavaria for freezing a copyright indefinitely, but there could become one if the question is the manual for the crimes against humanity written by the premium cannibal among the Homo Sapienses. Why no one among the people who were able to act in this only possible way, did not do it?
The issue with the effective ban of Main Kampf indefinitely has to be dealt with, there are the ways of the international law to do it, and it should be done without any further delay. Otherwise, the numbers of the neo-Nazis in Europe will be rising up rapidly and very soon.
One could argue on the matter that Mein Kampf has been all the time available in the USA in English, that you are not preserving good by barriers, etc. We are hearing these songs all the time.
Those arguments are not justified, in my opinion. I do think that after the Holocaust, it is absolutely clear that Mein Kampf has no right for existence, in USA or anywhere else. And yes, sometime, we have to put barriers before evil, and you have to be firm in doing it, otherwise good will be defeated. As it was, so awfully obviously, from 1933 through 1945.
All these recent realities of a strong recovering of neo-Nazism, all these manifesting repetitions of the murky past has become possible not only and just due to a human nature which does not like learn much, really, and loves to repeat its own mistakes. That vicious and very dangerous repetition to large extent has become possible because of the phenomenon of taking sides in 1960s and 1970s without scrupulous understanding of the processes of the ultimate success of Nazism back in 1930s and 1940s. Then thousands of people who were ashamed or indignant of their fathers’ crimes during the Holocaust did not come to think that it was necessary to analyse it in painful and meticulous detail.
Can we respond to this serious challenge? We surely can. We can start to implement the analyses of the process of the Nazism success story as a mandatory part of our Holocaust and the WWII curriculum in modern history, starting from the schools and continuing in colleges and further on in universities.
I do think that the very product of our education on Holocaust has to change; it has to become much more analytical, deeper and multi-sided, and we must waste no time in the implementation of this new approach. We have lost quite a lot of time in teaching the understanding of the core of Nazism already.
PARADOX 3. UNDERSTANDING BY CORRESPONDENCE.
How can one understand the total annihilation of millions without crime, and reason? It is quite clear that without UNDERSTANDING of the process and what’s beneath it, the progress of our society on the way of securing humanity would not be possible as such.
For many years, there has been consensus among the educators in many countries that the trips to the Nazi camps are the most efficient, if not only, mean of such education, the source of ‘antidote’ to the hideous crimes of blatant racism and violent anti-Semitism.
To the surprise of many, nowadays some educators started to debate the necessity of such trips. They are coming with various arguments, most of them are financial and managerial ones – and none of it is serious. The produced reasoning is just a pretext to quit the trips. Some teachers and managers of the schools, surprisingly being from Israel, are seemed to be bored with ‘the routine’. In my opinion, there hardly can be anything more short-sighted, egoistic and simply shameful on behalf of a teacher than his or her refusal to take his pupils to the Nazi camps, irrelevant of the reasoning.
If these decisions will be implemented, it would have double-firing effect and double-edging consequence: with abortion of such trips, we would deprive new generations of an unique possibility to see by their own eyes at least the places, and to be explained and shown alive some of the circumstances in which the victims of the Shoah had been treated and exterminated. Being unable to seeing the places of the mass extermination, new generations will grow more and more distant and aloof to the Holocaust theme and meaning very rapidly. It is extremely unfortunate and in my opinion, dangerously wrong decision by the part of the educators who has started their selfish and so very shallow campaign.
In a contrast with that inconceivable idea is another, the opposite one – the idea of making the trip to the Nazi camp a mandatory for every EU-member country, to start with, and their school systems. I am propagating the idea for years by now, and the responses I have met so far, are very telling. To put it very briefly, whatever reasoning is provided, the reluctance to make the educational trip to a Nazi camp by the prevailing number of Europeans is truly astonishing. Still, I have no intention of giving in on such principal matter. I will try to pursue the necessity of it throughout the maze of the European Parliament, and I do hope to make it institutionalised.
In the same motto as the trips to the Nazi camps are started to be questioned and doubted by the part of the educators, the March of Living is questioned in the same way, as well. We know about the cases – and the countries – which are struggling and fighting in order to prove the necessity of the March of Living, to continue to be funded for that unique and irreplaceable experience for thousands and thousands of youth. It is worrisome and unacceptable; and believe me, there are really some other good possibilities for saving money. Rabbi Yisrael Meir Lau is attending the March of Living every single year, from the time of its conceiving in 1988. As far as I am awared of, it has never occurred to his mind to skip it – although one could just try to imagine what does it mean for a person who has lost his parents and almost entire family and who had been a child victim of the Shoah to get there repeatedly, a year after another. But Rabbi Yisrael Meir Lau feels not only his responsibility to speak on the horrors committed during the Holocaust with appearing generations, he also feels his duty before his annihilated family and the millions of their co-victims. We just cannot abandon those souls in the ravines and dumps of all those camps. Why it is so difficult to understand it?..
PARADOX 4. BEAUTIFYING FACTOLOGY.
Revising history is an eternal phenomenon and an infectious ‘hobby’. It did not start with the Holocaust and it would not be ended with it. But there is a very distinctive moment in the activities of revising the Holocaust: those who are doing it are committed to beautify an absolute evil. This involves quite substantial, even ultimate, moral choice, too.
The efforts of the sort had started as soon, as the WWII has ended. But 70 years back, the mass of the fresh evidence, and the scale of what the Allies troops and then the world were facing, did not left that much room for the efforts to beautify the unspeakable atrocities. It was rather silenced, quite widely so, by practically all sides, for different reasons.
But as the time is passing, it makes us far and more far away from the deeds that once were regarded as undeniable.
Politically too, the straightforwardness of hard-core facts has been replaced today with ambiguity addressing us to ‘the deeds of the past’ and tolerating current very active efforts of re-writing the history of the WWII. Or keeping it hostage, actually – as the Russian leadership still does keep the hostage the truth about Raoul Wallenberg for more than 70 years now since he had been abducted by them in January 1945 in Budapest.
A very dangerous reality of today is that there is not just random efforts of some maniacal professors-in-denial as it has been the case of Irwing or some others alike, but we are seeing marches of the SS and Wermacht-veterans in the Baltic states for over 20 years by now, and we are hearing a total re-dressing the history making saints and freedom fighters from the Nazi collaborators in Ukraine today, in their inflamed, hasty and feverish search for new national identity, which is understandable – but why on the earth this new identity has to identify itself with the Nazi collaborators and perpetrators of unspeakable crimes?..
In the challenges like that, not only truth itself, but the pillars of morality are severely damaged, and it will have a very powerful, distortive and absolutely negative effect on the quality of society in a near future yet.
The fact of the day is that very unfortunately, we have now the generation formed during the last 25 years that saw the regular parades of the SS- and Nazi veterans whom they were prescribed to perceive as freedom fighters, as heroes. This is their objective, normal reality. They do not know anything else, any better. The utterly wrong choice of some and a weak position on that of the others has become the factor that has formed the objective reality for entire generation. This damage is incuperable. And, most likely, we would be having another generation raised on the new text-books that would represent the Volyn massacre as ‘a complicated matter’ and ‘an episode of the fight for the freedom of motherland’ in Ukraine which is a 45-million country in the centre of Europe, not 2-million Latvia in its northern corner. This challenge has to be confronted with full seriousness and without delay.
We are still here, we know, we remember, and it is our duty as of a decent human beings to oppose the efforts and policies of beatifying factology due of any reason, any at all.
PARADOX 5. LAUGHING AT THE HOLOCAUST
This is precisely because of the success of the active efforts to beautify factology, we are facing today truly unimaginable and simply shocking development in the post-Holocaust reality: laughing at the Holocaust, mocking the tragedy. This challenge transpires through arts, and I believe, it is extremely important point to address now, as this is having the place.
In 2015, the entire world has been shocked by the so-called art exhibition shown in Estonia that has been mocking the Holocaust in the most ugly and contemptuous way. Six out of eight so-called artists there were Polish. Some of them are known for their cruel manifestations of the lowest of lows of artists and human being for years.
It is also known that their exercises are accepted and exhibited widely enough – in Poland, in the USA and some other places. Germany, for understandable reasons, is declining and cancelling these attacks on humanity, repeatedly, in the most of the cases, but not all of them, notably. Venice Biennale which has lost the sense of reality – and taste – a long time ago, in my professional opinion, had accepted and exhibited some of it, as well. Those scandalous personalities had been also funded generously by all possible sources, artistic and state ones, and a lot of those are in Poland.
These repeated – and often accepted – efforts have nothing to do with freedom of expression, or any hint of art, however modern or experimental one might try to call it, too. These are the reflections of the new attitude to the Holocaust and its comprehension – not just denial, but the mockery of it, humiliation of the victims and the intent insult to millions, both those who were exterminated and those who are living today. They are also screamingly anti-Semitic, and thus are justified to be considered as an applied racial crime. This is the most dangerous and repulsive tendency which must be stopped immediately, and there is no more appropriate audience and institutions for that than the international educators, museum workers, art curators, all of those who are working in the field. In my opinion, we just cannot allow ourselves to get our own domain to be stained in such unpardonable way.
From the first day of that outrageous exhibition in Tartu back in February 2015 and until this very day, I never met a single person from any country, or profession, or nationality, or origin who would be indifferent to the mockery of the Holocaust committed by those so-called artists and their curators and organisers of that intent slap in the face of all the victims of the Holocaust, their families, and any other normal people. The only response I have met was a shock and terror of the people who just would not believe that such outcry has become possible. I did experience first-handedly that our public has been more adequate, more human, and more professional, for this matter, that we are – in particularly, those who has been supporting and encouraging those so-called ‘artist’ to commit a professional and moral crime, but also all those who went silent, or semi-justifying, on the matter. We do know what this kind of silence can do. We learned about it in the hardest way – did not we?.. But we still are trying to find an arty reasoning for a blatant outrage.
CONCLUSION
The challenges presented here are, in fact, serious tendencies in our society which has to be dealt with adequately and promptly. Today, we are facing dramatically new phenomena in both individual and collective psyche regarding the Holocaust that are challenging not only factology of the Shoah, but also an accepted human and moral stand on it. And this is the most vulnerable one from the challenges of the post-Holocaust legacy. We do have high responsibility to realise this and to make our own conclusions and decisions on how to treat it and what to do with this regard in order to preserve the dignity of memory. Because our memory, especially with respect to the Holocaust, is a living body which has to be protected, supported, and taken care of.
We do owe that much to those who were exterminated with such an efficiency and that pleasure of devouring beasts. I do believe that it is within a power of a normal humanity to prevent the clones of those beasts to re-appear among us.
Dr Inna Rogatchi is the author and film-maker, and the president of The Rogatchi Foundation. Her recent film is internationally acclaimed The Lessons of Survival. Conversations with Simon Wiesenthal, and her forthcoming book is The Post-Holocaust Legacy: Challenges & Responses.
The Italian national premiere of The Lessons of Survival film by Inna Rogatchi has been organised by the RAI, Italian National TV Broadcast company, at the special event in commemoration of the International Holocaust Day. The Chairman of RAI Monica Maggione has opened the Special Event where gathered many distinguished guests. Co-organisers of the event were Maccabi Italy and Hans Jonas Association. The leading Italian journalists and writers, Pierluigi Battista from Corriere della Serra and Roberto Olla, the editor-in -chief of Rai Storia, were the co-panellists with Dr Inna Rogatchi. The well-known Italian Holocaust survivor Alberto Mieli participated in the event with personal and emotional statement. Among the many distinguished guests, there were former minister for culture and current chairman of MAXXI museum Giovanna Melandri, chairman of the Rome Jewish community Dr Ruth Dureghello, film director Claudio Noce, president of the Italian Football Federation Carlo Tavecchio, president of the Maccabi Italia Vittorio Pavoncella, president of the Hans Jonas Association Tobia Zevi, and many others. The event has been prominently featured in the Italian media in the special reports at Rai 1 TV, and several articles in the leading media.
In his introduction of the forthcoming event of the Italian national premiere of the Inna Rogatchi’s The Lessons of Survival film at RAI Italia, the one of the special event’s co-organisers, Vittorio Pavoncello Botticella, the member of the European Jewish Parliament and president of the Maccabi Italia, has attested the film as ‘ a historical document of an exceptional value’. The film’s premiere at Rai special event in Rome is on January 19th, 2016.
The new review on the Inna Rogatchi’s Film ‘The Lessons of Survival: A Primary Source, and Tranquillity of Justice’ by leading Italian writer and broadcaster Roberto Olla has been published in the RAI News DIALOGO blog, Italy, on the eve of the film’s Italian National Premiere on RAI. The full text of the review can be read at Reviewspages, both the Italian original and the English translation.
Whenever we are reading a book, an article, or we are watching a film, we are having a pre-existing feeling telling us that we need to choose a place for its collocation. It is a concrete, material act. The book has its own physicality that requires its space. The article is to be cut out and filed in a certain category, that nowadays more and more often becomes a digital folder, on our desktop. A film has less physicality. Of course, it may be recorded in a form of a DVD, a file or an USB key. Or maybe, it exist as a link simply. But, apart of the material aspect, it is a cultural collocation that matters, overall.
The big and important archives are also organised in the similar way, would it be the Washington National Archives or the Central Archives of the State of Italy. When a student or a scholar enters a hall of a researching institution, he finds there already existing selection of titles, documents and books, selected and offered by the archivists. And there is a certain knowledge among the researchers on the titles and works in the given collections which are particularly useful; it is clearly right to keep them always ready at the display. Once you have watched the Inna Rogatchi’s film “The Lessons of Survival. Conversation with Simon Wiesenthal”, you need to decide for yourself where to collocate it.
This is a film and this is a document at the same time. Because of this double-quality, this work should be defined as ‘a primary source’, following the old journalist jargon. The film’s language is both simple and essential. In it, Simon Wiesenthal, the legendary person, is speaking to us. We can also see the places mentioned in the Wiesenthal’s narrative. The emotions there are expressed with the help of the paintings by Michael Rogatchi. Yes, the Inna’s husband. Yes, Inna was Simon Wiesenthal’s collaborator: a privilege, as she tells us in the beginning of the film. In the very beginning of the film, Simon Wiesenthal immediately made his approach and the concept crystal clear: “I survived, but my thoughts are going for those who did not ( survive)”. How deeply right it he. The thing is that the real witnesses of the Shoah are the drowned ones, those who did not make it. During all the years of the Simon Wiesenthal’s life and activities, the theme of forgiveness had been crawling under the surface, as if a flow of an underground river. Sometimes it was re-emerging, sometime disappearing.
Apart of the circumstance that no Nazi executioner has ever asked for forgiveness, the fact remains that forgiveness is never given through intermediaries. Forgiveness may be only received from the victims. Nobody can ever take their place.
There is also much new material in the Inna Rogatchi’s film, from new details on the search of Adolf Eichmann to other facts telling on search and capture the officer who has arrested Anne Frank. For this reason, The Lessons of Survival is also a primary source. But then, on the top of everything, there is the voice and the eyes of Simon Wiesenthal. While minutes are passing by, we start noticing that his story develops with peace and serenity, as if he willing to calm those who are listening. He is talking about mass murderers and death camps, but he does it by transmitting towards us such a steady tranquillity which only can be produced by justice. When it is applied.